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[idm] BiP_HOp Generation v.3

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2001-06-27 05:27philippe petit [idm] BiP_HOp Generation v.3
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2001-06-27 05:27philippe petithello, hope that all is well with you. The BiP_HOp Generation v.3 should be in your favour
From:
philippe petit
To:
idm@hyperreal.org , microsound@hyperreal.org , technopolnews@egroups.fr , Radio Campus
Date:
Wed, 27 Jun 2001 07:27:52 +0200
Subject:
[idm] BiP_HOp Generation v.3
permalink · <3B396ED8.9FE52A60@wanadoo.fr>
hello, hope that all is well with you. The BiP_HOp Generation v.3 should be in your favourite record store by now... Eventually... Hopefully. BiP-HOp Generation v. 3 [bleep 05] The third volume in the Bip_HOp Generation series gathers once again six different artists from six different countries, and proves that the series is truly a document of today's creative forms of Electronica. Musically packed with almost 80 minutes, the composers are each given much longer amounts of time to showcase their talent. Even those who think there should be a moratorium on Electronica compilations, this is worth checking out. 14 exclusive songs, 77 minutes of music in a 6 page Digipack including a booklet w/ infos on each musician : NEOTROPIC (UK) aka Riz Maslen records for Ninja Tune BOVINE LIFE (UK) aka Chris Dooks is digital artist, broadcast tv director and musician who has collaborated w/ Third Eye Foundation, Komet, Kohn... First album upcoming on BiP_HOp. PIMMON (Australia) aka Paul Gough who seems to be everywhere... KraaK, Falt, Staalplaat, Meme... ZONK'T (France) aka Laurent Perrier who used to be in Nox and used to run Odd Size, Cape Fear and is now recording under this pseudonym. ATAU TANAKA (Japan) who records for Caipirinha, Fals.ch and does Sensorband. NOVEL 23 (Russia) aka Roman Belousov who has an album on Pitchcadet. So now it is time to wish you all a great Summer and we'll "meet" again in September with some new releases... philippe Bovine Life "social electrics" [bleep 06]______September 2001 digital artist, broadcast tv director and musician has been jamming through the modem, speaking in electronic tongues, and collaborating with Kohn, Third Eye Foundation, Future Pilot Aka, and artists from labels such as Mego (Alku), Leaf (Ylyptyk), Diskono... Enhanced CD features a short movie by Chris Dooks. Si-(cut).db "enthusiast" [bleep 07]______September 2001 digital/glitchy but accesible rhythmic realm, with dub and german influences to the fore... A must for fans of Pole, Vlad Delay and Kit Clayton... BiP-HOp Generation v. 4 [bleep 08]______September 2001 with Mira Calix (UK/SA) / Si-(cut).Db (UK) / Datach'i (USA) / Vs_Price (Fr) / Cray (Au) / Twine (USA) http://www.bip-hop.com ambient landscapes, creative and melodic musica... SPACEHADS and MAX EASTLEY : the time of the ancient astronaut [bleep 04] Spaceheads have teamed up with Max Eastley, who wields The Arc (an electric acoustic monochord), and done just that -- removed the motorik syncopated driving beats and replaced them with shimmering cymbals and small percussive gestures and squiggles, while extending the trumpet into neverendingly evocative chilled-out washes of pure vibratoless horn. Although I am not quite sure what the monochord looks like or how it works, it sounds much like an early analogue moog synth, erupting in wails at times hellish and chaotic, at times placid and harmonious. An ambient record. Relaxing yet with an undercurrent that will unsettle you in a good way.
quoted 1 line Aquarius newslist - May 2001>Aquarius newslist - May 2001
--------------------------------------------------------------------- The superb Spaceheads expand to a trio with the addition of sound sculptor and instrument inventor Max Eastley. Their recording, starts with a distantly eerie set of music with soaring trumpet, drums in irregular march and Eastley's 'Arc' (an electroacoustic monochord) imitating an out-of-tune violin for the feel of a soundtrack to a particularly grim part of a '60s Biblical epic. Though recorded as one long piece, they've thoughtfully indexed the CD into 'songs' or sections as the sounds change. Andy Diagram's trumpet flutters like a voice in tremolo, other times filling the space with impossibly long notes (he blows then expands the sound beyond the temporal range of human breath). Richard Harrison's work is far more detailed than his usual sensitive funk, mostly altered bowed and scraped and bent metal. Eastley dances in slow curlicues around them both (at least I think that's him). Very, very nice.
quoted 1 line [RE] Other Music Update (May 16, 2001)>[RE] Other Music Update (May 16, 2001)