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[idm] Re: review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]

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2001-05-10 03:58Christopher Miller [idm] review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]
2001-05-10 16:42Re: [idm] review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]
└─ 2001-05-10 17:01Howard Shih Re: [idm] review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]
2001-05-10 18:35Christopher Miller [idm] Re: review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]
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2001-05-10 03:58Christopher MillerAlright. This was my first time in New York, and I had a really fun time. Food wasn't as e
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Christopher Miller
To:
Music That Sounds Like Stoves Talking To Refrigerators
Cc:
miller
Date:
Wed, 09 May 2001 23:58:11 -0400
Subject:
[idm] review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]
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Alright. This was my first time in New York, and I had a really fun time. Food wasn't as expensive as I thought it would be. Overall people were really very nice and helpful. The subways were clean. The pizza was fantastic. Bowery Street smelled like urine though... actually nearly everywhere I went smelled like urine. Anyway, we arrived at the Bowery ballroom around 9:30 and waited downstairs until the show started. It was a nice club. A good size - really no bigger than any of the larger clubs here in Gainesville, Orlando, or Tampa. I was dismayed to find that there was no t-shirt/merchandise stand for the show, and was told there would not be for the entire tour. This didn't make any sense to me. Also, there was absolutely no Warp Records USA presence of any kind. I thought for sure there would be promo items floating around (ie posters, postcards, stickers). In fact, there weren't even any flyers for the show itself! This was Autechre's first real US tour, right? Why was there no promotion for it in Warp Records USA's home town? Pathetic. Soon Russell Haswell and Yasuono Tone took the stage. I didn't know who they were or what they would sound like, but figured by their names alone they would most likely put on some kind of academic noise show. And I was right. They did this brutal echo reverb delay thing which went on for almost 45 minutes! Basically one guy made a short burst of noise while the other ran that same noise through an effect... and on, and on, and on... painfully long boring uninteresting pointless repetitive predictable noise. One guy hunched over his gear, and the other squatting down (only the top of his head visible) twisting knobs. One red light fixated on the pair from overhead while the rest of the auditorium was pitch black. After twenty minutes some jackass yelled "Freebird!". Lots of bored people talking to each other. Ug. I was suprised to see how many folks remained in the main room to witness it. Eventually though a majority trickled back downstairs where it was more bearable. Saw David Byrne milling around. Damn his hair's gray! Supposedly Jim Thirlwell was there as well but didn't see him myself. After this, there was a nice dj set (Rob Hall?) which I heard from downstairs. That ended, and without warning the Autechre show started. One guy on the right stands behind his gear clicking his mouse and twiddling knobs, while the other on the left is barely visible with only the top of his shaved head showing for the entire show. This is it. No light show, no visuals, no dancing bears... just a green glow coming up from their Powerbooks and a dark room. The rest of the auditorium is pitch black. Lots of glitchy static and low-endness. Very true to form compared to the live Autechre shows that have been floating around as mp3s, cdrs, etc. Each time a song began, the crowd whooped with excitement and bopped around for a bit. Then nine minutes later the same song was still going and going and going nowhere new. People talked amongst themselves at this point, losing interest. I think that if Autechre were to just cut the last four minutes off of each pice then it would be a more dynamic show... too much indecisive noodling, not sure when to stop. I didn't recognize any of the songs at all. Could have been new-ish stuff from _Confield_, but who knows? Nice job Warp USA. Regardless, every other young white male had their own nifty backpack/carry-all pouch/purse thing which most likely contained some sort of futuristic recording gear. I'm sure we'll all be able to hear it for ourselves within a few days. Now the following night (Saturday the 5th), we decided to skip out on all opening acts and djs and just come for the main show. I think we got to the Bowery ballroom around 10pm or so. The dj filler show was progressing slowly and I hooked up with a few old Gainesville pals who had recently made the move up north. Then the 4x4 beats stopped and I knew the show was about to begin. Running upstairs I heard this strange recording of what sounded like an audience at a show(?). There were moments where a heckler-type voice kept asking when the beats were coming in. I was happy because this seemed to be a bit more interesting than Friday night's show. After about five or minutes of this, glitchy Autechre-ness began infiltrating the recording. The crowd livened up and it really truly was an exciting performance. There was lots more of this back-and-forth action between death metal samples, chunky subbeats, Japanese yelling and shouting, off-kilter time signature beats, static, walls of noise, head-nod food, etc. Then I looked at my ticket and realized that this was not in fact Autechre, but Rob Hall & Russell Haswell. I would have to say that their performance was absolutely fantastic! By far the most enjoyable and memorable performance of both nights. Then that stopped, and with barely a break Autechre started up for their set. I wanted more. It was pretty much the same performance of the previous evening. I recognized a lot of the same samples and noises from what I had heard before. I'm sure they were a bit different, but still the same pieces. This time they had one blue light focusing on them from overhead, and four tolken red lights moving around slightly. Both nights Autechre's set lasted about an hour-and-a-half, I think. The more exited hardcore fans seemed to be up front really digging the show. The people in the back and in the mezzanine/balcony pretty much were all complaining about how awful and boring it was, but still remained for the duration. There was a lot of talking amongst the crowd and people's interest only woke back up when a new song began, and up to about three or four minutes after that. I was very happy myself being able to see and hear Autechre live. I think I enjoyed it most because I didn't stand in one spot looking ahead for an hour-and-a-half. There were a bunch of head-nodders, and a suprising number of people doing this dijointed jerky dance to the music. Very fun to watch. I didn't really see the point though in watching two guys stand on stage in front of their laptops for that amount of time. But just the fact that THIS TYPE of music was being played live was enough to keep my interest. Go see Autechre. Go knowing that it will just be two guys in front of their laptops twisting and clicking. The music's good, but a bit too drawn out. Don't treat it as the typical concert setting though... it just doesn't work. You'll be disappointed if you come with this mindset. Relax, and find a spot to chill out. Dare I say, find something else to occupy your time? Dance, draw, fiddle with your minidisk recorder, play hide-and-go-seek... but still enjoy it. Oh, and there's no chance for an encore. When you see the pair of matching titanium Powerbook lids shut, that's it. Go home, take out your earplugs, and dump the recording onto your harddrive. .`-). christopher miller o o.' evil@fdt.net == ' ps. Thank you Josh for flying me up! pps. Geordan, I said your name several times to a guy with a black long- sleeved Fantastic Four shirt but he just looked right through me. I did see a guy wearing a Green Lantern shirt the next night... --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2001-05-10 16:42CAPOIIEE@aol.com
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Thu, 10 May 2001 12:42:53 EDT
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Re: [idm] review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]
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2001-05-10 17:01Howard ShihOn Thu, 10 May 2001 CAPOIIEE@aol.com wrote: > oh and, people, learn to fucking dance! (or
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Howard Shih
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Date:
Thu, 10 May 2001 13:01:58 -0400 (EDT)
Subject:
Re: [idm] review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]
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Re: [idm] review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]
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On Thu, 10 May 2001 CAPOIIEE@aol.com wrote:
quoted 2 lines oh and, people, learn to fucking dance! (or when not to fucking dance) im> oh and, people, learn to fucking dance! (or when not to fucking dance) im > sorry but acting like a snake in a seizure just wont cut it
Hey, better to show you're feeling the music than just stand there like fucking rock and stroke your chin! ;) Seriously, if you were playing onstage looked out and saw people flailing about like maniacs wouldn't you get the vibe that people were actually enjoying your music? Not that there's anything wrong with chin stroking and head nodding but what about the DM part of IDM, people? --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2001-05-10 18:35Christopher Miller---------- From: t cason <brizno@yahoo.com> Date: Thu, 10 May 2001 07:31:16 -0700 (PDT) To
From:
Christopher Miller
To:
Music That Sounds Like Stoves Talking To Refrigerators
Date:
Thu, 10 May 2001 14:35:18 -0400
Subject:
[idm] Re: review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th]
permalink · <B72057A6.3BBA%evil@fdt.net>
---------- From: t cason <brizno@yahoo.com> Date: Thu, 10 May 2001 07:31:16 -0700 (PDT) To: Christopher Miller <evil@fdt.net> Subject: Re: review - Autechre Live [Bowery Ballroom, NY, May 4th and 5th] monotony is bad medicine. I went to Autechre expecting a powerbook duo, which is never much too see but one might hope it was interesting to hear. This show was dullsville. True there were hopeful momments but all in all I was disappointed. Brain crushing low end for an hour is quite taxing. There was the trademark off time signatures and clicktrack like intro but there was no audio magik, just gigantor's palpitating heart thump. I would of been happy if it had been an evening of broken music minus the beats. Too bad I missed Rob Hall & Russell Haswell. Actually too bad I missed Moton Subotnik the week before. Anyway I am still fond of Autechre. By the way don't miss Prefuse 73, whom I believe is opening for Tortoise on Florida dates and ATL dates. Also Nabukazu Takemura may be on that bill. Mouse On Mars is playing the Northeast hopefully they will hit the south. bye-bye tcaso --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org