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Re: [idm] Re: What do you expect from IDM musicians on stage?

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2001-04-10 18:02Philip Sherburne Re: [idm] Re: What do you expect from IDM musicians on stage?
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2001-04-10 18:02Philip Sherburne> >so do you see a distinction between composer and musician??? > > >composer creates the
From:
Philip Sherburne
To:
'josh@undertone.com' , 'idm@hyperreal.org'
Date:
Tue, 10 Apr 2001 11:02:48 -0700
Subject:
Re: [idm] Re: What do you expect from IDM musicians on stage?
permalink · <8EF2E9ED35FFD411BACA00508BCF57C21CC636@sagan.askjeeves.com>
quoted 32 lines so do you see a distinction between composer and musician???> >so do you see a distinction between composer and musician??? > > >composer creates the music, musician performs it? isn't that right??? > > Not exactly. Remember that "composer" and "musician" are, in many ways, > entirely historical categories. In eras/cultures where music circulated > entirely collectively, there would be no composer. Additionally, before > written notation, there would have been no split between composer and > "musician" or "performer." > > What we're seeing now - what has been in play since the development of > audio recording technology - is another shift in the relationship between > these terms. This is complicated exponentially with the advent of > multitracking (dub, tape splicing, the multitrack studio and now software > editing), because the introduction of non-real-time techniques opens up a > new temporal dimension in the equation. > > Do you know that even accomplished classical musicians rely upon > overdubbing in making recordings? So the non-real-time element intrudes > even here. > > I'm not trying to bash you, just to explain that the categories aren't as > clear cut as you'd like them to be. How you take this is up to you - it > can be the cause of profound anxiety and dismay, or a potentially > fascinating new aspect of aesthetics and culture. > > Philip > > > > >
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