quoted 1 line i wonder how many have become idm fans through
>i wonder how many have become idm fans through
meat beat manifesto instead of the orb. comments?
quoted 1 line After being a li'l rivethead for the
>After being a li'l rivethead for the
last half of the 80s, and I started getting tired of all the bangy
gloom'n'doomy sort of stuff in the early 90s, and somehow found myself
listening to The Orb and Orbital and a few early "rave" records via friends.
quoted 1 line The real turning point was seeing Greg Earle, an industrial old-timer like
>The real turning point was seeing Greg Earle, an industrial old-timer like
myself, make a post to the industrial newsgroup ranting about some amazing
artist he'd discovered called The Aphex Twin. I couldn't find any AT stuff,
but found the Polygon Window album and was blown away. I caught the Toronto
stop on the Orbital/Aphex/Moby tour soon after, and aside from Moby, I was
even more blown away. And that's where it started for me.
I have become a bigger fan of all types of electronic music through my early
"involvement" with industrial music, in almost the same fashion as these
recent posts to the list.
MBM are one of the greatest bands ever, and still continue to amaze me to
this day. Check out their 12" on Skam that came out like a year or so ago
for proof that they still have it. The last album was not one of my
favourites, but still worth listening to, and also put on a great live show.
fan site is at www.brainwashed.com
Aphex i discovered through either rmxing MBM, or on one of those
Transatlantic comps from a couple of years ago and i think the track was
Entrance to exit, on of RDJ's "ravier" moments if you ask me. I consider
myself a aphex fan, but i really only listen to SAW2 constantly. Actually,
there was a time where you could hear someone play isophrolex(sp?) at a rave
in Detroit.........
Orbital, Moby(early, early stuff!), 808 State, all that stuff i still listen
to and got me all the way up to what's known as "IDM" these days. I love the
fact that i am 26 and i am able to connect the dots on my musical
experiences and influences, dating back to stuff i was listening to when i
was 14 or 15. I got the new Team Doyobi in the boombox next to the KMFDM
stuff............
I've read a ton of AE interviews with them citing indusrtial as a
influence(mostly Coil), Devine as well. Nitzer Ebb on Richie Hawtin's mix
cd........etc. In chicago, a lot of the industrial guys there-Ministry, My
Life With The Thrill Kill Kult, Die Warzau, etc..were all down with a lot of
the early house guys (Lil' Louis), same thing with Detroit. Jeff Mills and
Alan Oldham both used to be in industrial bands, back in the day.
As far as new stuff to listen to, well i prefer the older back catalog of
many of the artists i mentioned here. I am not really into Haujobb(sp?) or
Frontline Assembly in 2000-FLA did sample Autechre for one of their last
albums though.
As someone else has posted, any Cevin Key/Skinny Puppy related releases are
essential, especially the Plateau stuff. There is a new Download cd to come
out this week, i suggest it to anyone on this list.
www.subconsciousstudios.com
On a different note, i saw the Pole show here last week and it was
excellent. I did miss Farben though, which i regret. Burnt Friedman played
a lot more noisy, for lack of a better word. More pops and clicks. I was
expecting him to be a lot jazzier, maybe like his stuff off Con Ritmo or
Flanger-esq. Still dope. Pole, wow. Once again, i was dead wrong. I
expected it to be slower and more clicks and pops, and it was the complete
opposite. It seemed like he was pushing out these basslines that kind of
slithered out, all at a "housey" or slightly bouncy tempo.......less static,
less noise. More tweaking of the sounds and effects. A powerbook, Nord
Modular, and fx. Awesone show, i hope everyone has a chance to see them.
Keith
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