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Re: [idm] live mixes

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2000-07-05 21:29Corey Maass [idm] live mixes
└─ 2000-07-05 21:46Josh Davison Re: [idm] live mixes
2000-07-05 21:49EggyToast Re: [idm] live mixes
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2000-07-05 21:29Corey Maassas an "electronic musician" i work mainly out of my home studio. i am beginning to explore
From:
Corey Maass
To:
Date:
Wed, 5 Jul 2000 17:29:22 -0400
Subject:
[idm] live mixes
permalink · <200007051729.AA636485968@mail.damnfine.org>
as an "electronic musician" i work mainly out of my home studio. i am beginning to explore the realm of paying live, and it has confounded me for a long time how people pull it off. i usually cant see beyond bringing half my equipment, setting it up and pressing "play". maybe twisting a few knobs. anyone familiar with some different techniques they could share? thanks. corey -- ---------------------- Corey H Maass Secret Agent Gel Prod http://www.secretagentgel.com 5 St. Nicholas Terr Apt 33 New York, NY 10027 (646)228.5048 -- --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2000-07-05 21:46Josh Davisonthe goal is always less gear to haul along so basically you need at least two things: 1) a
From:
Josh Davison
To:
Corey Maass
Cc:
Date:
Wed, 5 Jul 2000 16:46:51 -0500 (CDT)
Subject:
Re: [idm] live mixes
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[idm] live mixes
permalink · <Pine.NEB.3.96.1000705163539.62808H-100000@shell-2.enteract.com>
the goal is always less gear to haul along so basically you need at least two things: 1) a sequencer 2) a sound module (but they can be combined!) our current live setup consists of more than this because we're spread out between two studios ... but here's the current rig for live stuff MPC 2000 sequencer/sampler MPC 3000 sequencer/sampler Juno 60 Nord Modular Quadraverb GT efx MoogerFooger LPF Waldorf 4-pole LPF Alesis 3630 Compressor Hohner Melodica Shure SM57 Microphone Mackie 1202 mixer (though we have to move up to a bigger one real soon) it sounds like a lot but the biggest stuff is the juno and the two MPCs. everything else is small enough to fit on a table or in a rack. getting a portable rack is really helpful, i wish i had a rackmounted mixer too but c'est la vie. mainly we decided we wanted to play out so we figured out what our live rig was and wrote all new material around the live rig ... we use the two MPCs because one can be loading up samples while the other is playing or we can just duel :) of course we're completely overboard on the live rig compared to blokes like lexaunculpt who just brings the PowerBook basically i guess the answer is to just figure out what you're comforatble hauling to the gig and go from there. -- String Theory : Digital Music for Humans http://www.enteract.com/~yoshi/index.cgi On Wed, 5 Jul 2000, Corey Maass wrote:
quoted 19 lines as an "electronic musician" i work mainly out of my home studio. i am beginning > as an "electronic musician" i work mainly out of my home studio. i am beginning to explore the realm of paying live, and it has confounded me for a long time how people pull it off. i usually cant see beyond bringing half my equipment, setting it up and pressing "play". maybe twisting a few knobs. anyone familiar with some different techniques they could share? > thanks. > corey > > -- > ---------------------- > Corey H Maass > Secret Agent Gel Prod > http://www.secretagentgel.com > 5 St. Nicholas Terr Apt 33 > New York, NY 10027 > (646)228.5048 > -- > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org > >
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2000-07-05 21:49EggyToastwell i haven't played live per se, but from experience (ha!), most electronic musicians *d
From:
EggyToast
To:
, eye dee em
Date:
Wed, 5 Jul 2000 16:49:55 -0500
Subject:
Re: [idm] live mixes
permalink · <002c01bfe6ca$f6ed6ac0$603c0b3f@k8y8w1>
well i haven't played live per se, but from experience (ha!), most electronic musicians *do* bring at least half of their equipment =) it really depends on what you want to do live. it usually works best to have a very response and well-learned sampler and a couple boxes for effects. i'm sure that a lot of the live "idm" acts that go around now have either a couple samplers hooked up with midi clocks, or bring a laptop or something that can let them transfer files quickly to the sampler. besides samplers, most electronic musicians also have a keyboard, a rhythm type machine (altho those vary a lot), and some sorth of box thing (like an analog boxy sequencer thingy wif fun effects), and most likely an effects box or 2 or four. it really depends on what you have, and what you want to do, tho. usually it works best to have a lot of your patterns and sequences all set, and just punch it all in right on your hardware, and then go to town wif effects and mixing. if yo'ure having a hard time figuring out how people play live, take some of your own tracks and try to get them all set up on hardware, and then play them live at home. see if you can pull it off. it's cheezy and old, but "practice, practice, practise" ;) toodles,
quoted 1 line as an "electronic musician" i work mainly out of my home studio. i am> as an "electronic musician" i work mainly out of my home studio. i am
beginning to explore the realm of paying live, and it has confounded me for a long time how people pull it off. i usually cant see beyond bringing half my equipment, setting it up and pressing "play". maybe twisting a few knobs. anyone familiar with some different techniques they could share?
quoted 18 lines thanks.> thanks. > corey > > -- > ---------------------- > Corey H Maass > Secret Agent Gel Prod > http://www.secretagentgel.com > 5 St. Nicholas Terr Apt 33 > New York, NY 10027 > (646)228.5048 > -- > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org > >
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