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Re: [idm] Detroit, origins and all that

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2000-05-31 22:59Matthew Korfhage [idm] Detroit, origins and all that
└─ 2000-05-31 23:11Steve Oliver RE: [idm] Detroit, origins and all that
2000-05-31 23:12Re: [idm] Detroit, origins and all that
2000-05-31 23:58Christophe McKeon Re: [idm] Detroit, origins and all that
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2000-05-31 22:59Matthew KorfhageYes, Christophe, point well taken. If you attempt to trace the origins of something but ha
From:
Matthew Korfhage
To:
Date:
Wed, 31 May 2000 15:59:09 PDT
Subject:
[idm] Detroit, origins and all that
permalink · <20000531225909.42464.qmail@hotmail.com>
Yes, Christophe, point well taken. If you attempt to trace the origins of something but have no definable context, point, or direction, everything goes all apocryphal and you end up with the horrible muddle that you seem to be writing [about]. But it also seems obvious, in the colloquial sense-- and that's what we're doing here, right? having conversations with assumed mutual backgrounds? -- that anyone talking about origins or catalysts is *not* attempting to stretch it back to the origins of time or attain the ultimate subsumation of the categories. And no one said a word about Athena from the head of Zeus. Generally, and one should give them the benefit of the doubt on this before expanding the discourse to questionable extremes, they mean that *this is the place where it first surfaced in a form that I can recognize it* or *this is what launched whatever idea we've categorized "like this" into the general consciousness*. And sure, it all comes down to preferences, personal and shared histories, depth of penetration into a subject, and that lot. But it's not that difficult to understand. It's what allows one to write about anything like music history or roots and still, miraculously, be understood. Was Detroit THE catalyst of electronic music? No, of course not. People were making electronic music long before anyone in that specific Detroit scene. Was it the root of techno? If by techno you mean that style of electronic music that sprung up in Detroit in the early eighties, with definite funk influences and cross-pollenation with hip-hop: sure, why not. Let it be said and believed. Build shrines to Juan Atkins and let him name our children, for the savior has come bearing gifts of bass and funk. Every time that someone who's had a few philosophy, linguistics, or sociology classes jumps up to declare that we cannot speak as we do because the categories are arbitrary and blurred, something in all of us dies a little. Just a little. Please. Stop it. Cheers, Matthew From: Christophe McKeon <c.mckeon@rcn.com> CC: idm@hyperreal.org Subject: Re: [idm] Detroit in the news Date: Wed, 31 May 2000 12:41:59 -0400
quoted 13 lines A "catalyst" as far as I am informed. Is that which makes some kind >of> >A "catalyst" as far as I am informed. Is that which makes some kind >of >reaction/transformation possible, which at least in chemistry, >would not >have taken place w/o its presence. Kind of like the element >which brings >the whole ensemble to a more active state. A 'key' of >sorts, opening up >the possibility of emergent and synergistic >behavior of the entire >ensemble, whatever it may be. I think it is >safe to say that this is also >it's adopted vernacular meaning. I >think if we want to talk about >catalysts, we should perhaps be >talking about the relationship between >humans and machines after the >advent of the transistor. In other words, >music has been around for >ever, and "electronic music" was thought up, at >least in theory, far >before any body actually built the machines capable >of making it. The >catalyst in this case is the technology,
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2000-05-31 23:11Steve OliverWow, not only is that posting absolutely spot on...it's gorgeous, too. Mind if I sample yo
From:
Steve Oliver
To:
[IDM]
Date:
Thu, 1 Jun 2000 00:11:25 +0100
Subject:
RE: [idm] Detroit, origins and all that
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[idm] Detroit, origins and all that
permalink · <BNEKIDAPNHONECMHGKKGKELLCBAA.stevie@ignition.org.uk>
Wow, not only is that posting absolutely spot on...it's gorgeous, too. Mind if I sample you saying it?! Stevie. www.gram.org.uk www.rewind1000.co.uk
quoted 90 lines -----Original Message-----> -----Original Message----- > From: Matthew Korfhage [mailto:pomomofo2000@hotmail.com] > Sent: Wednesday, May 31, 2000 11:59 PM > To: idm@hyperreal.org > Subject: [idm] Detroit, origins and all that > > > Yes, Christophe, point well taken. If you attempt to trace the origins of > something but have no definable context, point, or direction, everything > goes all apocryphal and you end up with the horrible muddle that > you seem to > be writing [about]. > > But it also seems obvious, in the colloquial sense-- and that's > what we're > doing here, right? having conversations with assumed mutual > backgrounds? -- > that anyone talking about origins or catalysts is *not* attempting to > stretch it back to the origins of time or attain the ultimate > subsumation of > the categories. And no one said a word about Athena from the head of Zeus. > > Generally, and one should give them the benefit of the doubt on > this before > expanding the discourse to questionable extremes, they mean that *this is > the place where it first surfaced in a form that I can recognize it* or > *this is what launched whatever idea we've categorized "like > this" into the > general consciousness*. And sure, it all comes down to > preferences, personal > and shared histories, depth of penetration into a subject, and > that lot. But > it's not that difficult to understand. It's what allows one to > write about > anything like music history or roots and still, miraculously, be > understood. > > Was Detroit THE catalyst of electronic music? No, of course not. > People were > making electronic music long before anyone in that specific > Detroit scene. > Was it the root of techno? If by techno you mean that style of electronic > music that sprung up in Detroit in the early eighties, with definite funk > influences and cross-pollenation with hip-hop: sure, why not. Let > it be said > and believed. Build shrines to Juan Atkins and let him name our children, > for the savior has come bearing gifts of bass and funk. > > Every time that someone who's had a few philosophy, linguistics, or > sociology classes jumps up to declare that we cannot speak as we > do because > the categories are arbitrary and blurred, something in all of us dies a > little. Just a little. Please. Stop it. > > Cheers, > > Matthew > > From: Christophe McKeon <c.mckeon@rcn.com> > CC: idm@hyperreal.org > Subject: Re: [idm] Detroit in the news > Date: Wed, 31 May 2000 12:41:59 -0400 > > > >A "catalyst" as far as I am informed. Is that which makes some kind >of > >reaction/transformation possible, which at least in chemistry, > >would not > >have taken place w/o its presence. Kind of like the element > >which brings > >the whole ensemble to a more active state. A 'key' of >sorts, opening up > >the possibility of emergent and synergistic >behavior of the entire > >ensemble, whatever it may be. I think it is >safe to say that > this is also > >it's adopted vernacular meaning. I >think if we want to talk about > >catalysts, we should perhaps be >talking about the relationship between > >humans and machines after the >advent of the transistor. In other words, > >music has been around for >ever, and "electronic music" was > thought up, at > >least in theory, far >before any body actually built the > machines capable > >of making it. The >catalyst in this case is the technology, > <Snip> > ________________________________________________________________________ > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org > >
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2000-05-31 23:12Algorhythm23@aol.comman parrish had "techno track" back in the day("86 or something i can't find it in my pile
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To:
Date:
Wed, 31 May 2000 19:12:48 EDT
Subject:
Re: [idm] Detroit, origins and all that
permalink · <cc.543a985.2666f670@aol.com>
man parrish had "techno track" back in the day("86 or something i can't find it in my pile), possibly predating the magic one to have at least coined the term "techno" so if the origins of techno are being discussed ny needs mention, but as far as electronic music let us not forget serialism, musique concrete, milton babitt, singing arc,etc. -brown --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2000-05-31 23:58Christophe McKeon"Every time that someone who's had a few philosophy, linguistics, or sociology classes jum
From:
Christophe McKeon
To:
Matthew Korfhage
Cc:
Date:
Wed, 31 May 2000 19:58:14 -0400
Subject:
Re: [idm] Detroit, origins and all that
permalink · <3935A716.F7EBAA8C@rcn.com>
"Every time that someone who's had a few philosophy, linguistics, or sociology classes jumps up to declare that we cannot speak as we do because the categories are arbitrary and blurred, something in all of us dies a little. Just a little. Please. Stop it." Matthew Korfhage I'm a high school drop out, sorry no edumacation to speak of. Sorry for posting, it never ceases to amaze me how many uptight bitches are on this list. The ironic thing is that you seem to agree with me. Cheers, Christophe
quoted 61 lines Yes, Christophe, point well taken. If you attempt to trace the origins of> Yes, Christophe, point well taken. If you attempt to trace the origins of > something but have no definable context, point, or direction, everything > goes all apocryphal and you end up with the horrible muddle that you seem to > be writing [about]. > > But it also seems obvious, in the colloquial sense-- and that's what we're > doing here, right? having conversations with assumed mutual backgrounds? -- > that anyone talking about origins or catalysts is *not* attempting to > stretch it back to the origins of time or attain the ultimate subsumation of > the categories. And no one said a word about Athena from the head of Zeus. > > Generally, and one should give them the benefit of the doubt on this before > expanding the discourse to questionable extremes, they mean that *this is > the place where it first surfaced in a form that I can recognize it* or > *this is what launched whatever idea we've categorized "like this" into the > general consciousness*. And sure, it all comes down to preferences, personal > and shared histories, depth of penetration into a subject, and that lot. But > it's not that difficult to understand. It's what allows one to write about > anything like music history or roots and still, miraculously, be understood. > > Was Detroit THE catalyst of electronic music? No, of course not. People were > making electronic music long before anyone in that specific Detroit scene. > Was it the root of techno? If by techno you mean that style of electronic > music that sprung up in Detroit in the early eighties, with definite funk > influences and cross-pollenation with hip-hop: sure, why not. Let it be said > and believed. Build shrines to Juan Atkins and let him name our children, > for the savior has come bearing gifts of bass and funk. > > Every time that someone who's had a few philosophy, linguistics, or > sociology classes jumps up to declare that we cannot speak as we do because > the categories are arbitrary and blurred, something in all of us dies a > little. Just a little. Please. Stop it. > > Cheers, > > Matthew > > From: Christophe McKeon <c.mckeon@rcn.com> > CC: idm@hyperreal.org > Subject: Re: [idm] Detroit in the news > Date: Wed, 31 May 2000 12:41:59 -0400 > > > >A "catalyst" as far as I am informed. Is that which makes some kind >of > >reaction/transformation possible, which at least in chemistry, >would not > >have taken place w/o its presence. Kind of like the element >which brings > >the whole ensemble to a more active state. A 'key' of >sorts, opening up > >the possibility of emergent and synergistic >behavior of the entire > >ensemble, whatever it may be. I think it is >safe to say that this is also > >it's adopted vernacular meaning. I >think if we want to talk about > >catalysts, we should perhaps be >talking about the relationship between > >humans and machines after the >advent of the transistor. In other words, > >music has been around for >ever, and "electronic music" was thought up, at > >least in theory, far >before any body actually built the machines capable > >of making it. The >catalyst in this case is the technology, > <Snip> > ________________________________________________________________________ > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org
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