Each track features the usual stark Brinkman bass drum pulse, meagrely, but effectively elaborated by a few other rhythmic sounds and samples, the terse samples often derived from early funk music (rhythm guitar, etc).
Front and center on each track is one or two recurring, brief samples of emblematically 'black' voices, often from 60's/early 70's Motown records. Sometimes the samples seem to have been selected for purely musical reasons; for example there's one track that does wonders with a few seconds of melismatic harmony from (I think) Martha and the Vandellas. In other cases, the 'black' samples seem chosen with a certain irony. Swiped from a routine popularized on the 60's "Laugh-In" tv show, "Order in de courtroom cause heah come de judge" gives the impression that some kinda post-modern minstrel show in going on here.
In general the tone is of a whimsical romp, and the record is basically a thumping audio bon-bon with enough little surpises and judicious changes in tone to keep it engaging throughout.
kurt