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Re: (idm) sampling thoughts

4 messages · 4 participants · spans 1 day · search this subject
◇ merged from 2 subjects: (idm) mp3 track id? · (idm) sampling thoughts
1999-06-18 15:14david turgeon Re: (idm) sampling thoughts
1999-06-18 15:36r kidwell (idm) sampling thoughts
1999-06-18 17:08Re: (idm) sampling thoughts
└─ 1999-06-18 18:00Marc Weidenbaum (idm) mp3 track id?
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1999-06-18 15:14david turgeon> when i take a sample of a kick drum, work it over > in sound forge for an hour, repeat w
From:
david turgeon
To:
r kidwell
Cc:
Date:
Fri, 18 Jun 1999 11:14:53 -0400
Subject:
Re: (idm) sampling thoughts
permalink · <376A6266.5CBA9256@mnemonic.net>
quoted 9 lines when i take a sample of a kick drum, work it over> when i take a sample of a kick drum, work it over > in sound forge for an hour, repeat with a snare, > hihat, etc, and load them all into my sampler, and > sequence my own beat with these samples? or even > stickier, if i take someone elses drum beat, recycle > it, extract individual hits, fuck wtith them in > sound forge, dsps filters etc, then load this kit > into my sampler to make new beats with? eh? is there > beef with this application of the sampler?
although i'm certainly not against sample-based music, i should say that my problem with sampling, from a compositional point of view, is that long samples need to be completely twisted & distorted & enveloped & what have you if you want them to lose their underlying structure & personality. sampling a high-hat, you don't get the whole song that comes with it, but sampling a melody, or a complete beat, is making matters easy, at least in most cases. creative use of "long sampling" is still enjoyable, but it can get dangerously flat & uninspired. i know, i know. you can be uninspired even with your own hand-built tube amp synth & custom effect box. which is probably why the whole debate comes down mostly as preference: i.e. what would you rather hear? sampler? keyboard? drum machine? guitar, bass & drums? french horn? piano & sax? koto? make your own mind & have a blast. i have a personal preference for the more bare-bones electronic machine approach, but it doesn't mean i can't enjoy an amon tobin album, even though it's essentially 100% samples. -- david turgeon at http://www.notype.com
1999-06-18 15:36r kidwella couple people have recently posted that they're not down with sampling/samplers, and i k
From:
r kidwell
To:
Date:
Fri, 18 Jun 1999 10:36:15 -0500 (EST)
Subject:
(idm) sampling thoughts
permalink · <01JCJK71EOQA8Y5XYO@tessco.com>
a couple people have recently posted that they're not down with sampling/samplers, and i know this debate has been beaten death in every corner of the civilized world, (has anyone seen the threads on the Akai list about this? christ almighty!) but i was looking for some clarification here... is this an across-the-board condemnation of the use of a sampler? i mean, that's what it sounds like when someone says "no sampling allowed." now i can understand (although i dont necessarily agree) when people say 'I think it's bullshit when a sample is used instead of the artist actually programming a real live synth' or 'I think it's bullshit when a beat is ripped directly out of a song, sampled, and used in a track straight-up, unmodified' and yeah, these are uncreative uses of a sampler, but is it against whatever sampling ethics are at work here when i take a sample of a kick drum, work it over in sound forge for an hour, repeat with a snare, hihat, etc, and load them all into my sampler, and sequence my own beat with these samples? or even stickier, if i take someone elses drum beat, recycle it, extract individual hits, fuck wtith them in sound forge, dsps filters etc, then load this kit into my sampler to make new beats with? eh? is there beef with this application of the sampler? sorry if this is convoluted, overdone, dead horse, etc. : |. RJCK-1 :: _agent -.| http://www.gl.umbc.edu/~nworth1 :
1999-06-18 17:08Steve81778@aol.comhello everyone... we live in a post-modern society. everything you do is referential and/o
From:
To:
,
Date:
Fri, 18 Jun 1999 13:08:17 EDT
Subject:
Re: (idm) sampling thoughts
permalink · <260bffe4.249bd701@aol.com>
hello everyone... we live in a post-modern society. everything you do is referential and/or self-referential wether you like it or not. luv steve In a message dated 99-06-18 10:51:32 EDT, KIDWELL@tessco.com writes: << a couple people have recently posted that they're not down with sampling/samplers, and i know this debate has been beaten death in every corner of the civilized world, (has anyone seen the threads on the Akai list about this? christ almighty!) but i was looking for some clarification here... is this an across-the-board condemnation of the use of a sampler? i mean, that's what it sounds like when someone says "no sampling allowed." now i can understand (although i dont necessarily agree) when people say 'I think it's bullshit when a sample is used instead of the artist actually programming a real live synth' or 'I think it's bullshit when a beat is ripped directly out of a song, sampled, and used in a track straight-up, unmodified' and yeah, these are uncreative uses of a sampler, but is it against whatever sampling ethics are at work here when i take a sample of a kick drum, work it over in sound forge for an hour, repeat with a snare, hihat, etc, and load them all into my sampler, and sequence my own beat with these samples? or even stickier, if i take someone elses drum beat, recycle it, extract individual hits, fuck wtith them in sound forge, dsps filters etc, then load this kit into my sampler to make new beats with? eh? is there beef with this application of the sampler? sorry if this is convoluted, overdone, dead horse, etc. >>
1999-06-18 18:00Marc WeidenbaumThe deal is I am somewhat addicted to this MP3 I found god knows where -- I believe it was
From:
Marc Weidenbaum
To:
Date:
Fri, 18 Jun 1999 11:00:32 -0700 (PDT)
Subject:
(idm) mp3 track id?
Reply to:
Re: (idm) sampling thoughts
permalink · <Pine.NEB.3.96.990618105333.4858A-100000@triton>
The deal is I am somewhat addicted to this MP3 I found god knows where -- I believe it was simply on mp3.com -- and subsequent searches have failed to help me locate any information on it. From what I can tell, the artist is "C++" and the track is titled "V.ger." It's a zippy, upbeat affair, along the lines of Underworld's recent singles, but with even less of a house influence. Something akin to a muted cash-register chime keeps the beat. Resorting to those oh so helpful comparisons, I'd say it sounds as if the Talking Heads and Brian Eno recorded the Remain in Light album today, and decided to can the vocals. Thanks for any assistance. -Marc np: that track, of course