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(idm) RE: (amb) African American Art

4 messages · 3 participants · spans 1 day · search this subject
1999-05-12 16:41Kelley Hackett (idm) RE: (amb) African American Art
└─ 1999-05-12 17:06eric hill Re: (idm) RE: (amb) African American Art
1999-05-13 12:42Kelley Hackett (idm) RE: (amb) African American Art
1999-05-13 23:03~\(\({\[Endemic~Distortion\]}\)\)~ (idm) Re: (amb) African American Art
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1999-05-12 16:41Kelley HackettMr. Jefferys, I respect your view. But cant say I am in agreement with U here, Michael's c
From:
Kelley Hackett
To:
'ben@qsure.demon.co.uk'
Cc:
'idm@hyperreal.org' ,
Date:
Wed, 12 May 1999 11:41:54 -0500
Subject:
(idm) RE: (amb) African American Art
permalink · <397CA68ABF5AD111863C00805F0DDE980B629A@aba.iupui.edu>
Mr. Jefferys, I respect your view. But cant say I am in agreement with U here, Michael's comment is worth taking another look at! I do agree that there is a multivarate influences on music and its genres, repsectively. But let us face it pal. African Americans have been extremely pivotal in the music scene. The ryhthms, textures, melodies, beats, etc.....U name it! i am not getting any racial jolly rocks off though---for I do believe that we are all people! But many refuse to except the obvious, and if its not obvious----hmmmmm perhaps some need their vision checked(not u in particular---just those who its not obvi. to) Still, axioms are axioms, and this represents one in the best way! Hendrix, May, Craig, are they Pioneers, I ask u? With no answer of my own. Forget about it pal----what is it with some and this African---African american complex---------is the thought just repulsing----I fail to understand! Acceptance is the best thing here, for it is over-obvious like The Wright brothers were some of the cats who pioneered in aviation! I have no prob. admitting that these cats where caucasian-------again, we are all people, my belief dictates. But some just seem repulsed in thinking or believing that something so sweet & soft, fragile, but hard & lush could be created by African Americans. There is an underlying issue here but perhaps the IDM list is not the place to discuss the matter Hk-90!
quoted 71 lines -----Original Message-----> -----Original Message----- > From: Ben Jefferys [SMTP:ben@qsure.demon.co.uk] > Sent: Wednesday, May 12, 1999 11:00 AM > To: Kelley Hackett > Cc: 313-digest@hyperreal.org; 'idm@hyperreal.org'; > ambient@hyperreal.org; 'Africanus@msn.com'; 'Dr. Mark Robinson' > Subject: Re: (amb) African American Art > > Kelley Hackett wrote: > > > > Regarding Techno........."The mainstream will never get a hold of > this > > music, because it's above their heads in some way. It's only above > their > > heads because they let it be above them. They try and relate it more > to > > European music and don't realise that it comes from the street and > has > > the same origins as hip-hop, soul, the blues and jazz." > > > In some intellectual circles, and others, African American culture > is > > viewed quite often in a negative way----(some of it is true----in a > > general way)----but never, or very rarely, in a positive way! From > the > > quote above, the positivity and contributions of African American > > culture and its influence on world culture is clearly displayed! > > Where did you get the quote from? > > > Why do many seek to down play the role of African American culture > and > > its influence on the world?(looks like I didnt need an intro for > that!) > > It isn't really - not here (UK) anyway. If you hear anybody trying to > play down the influence, it is probably because it is usually > overblown. > The idea of "influences" is pretty complicated, I reckon Stephen > Fruitman is probably the best person to comment, but if you ever hear > someone say "well, all fashion these days is mainly due to > Afro-American > culture", then they are simply wrong - this is an overgenalisation. > > I think even evaluating the relative importance of influences is > extremely error-prone. The quote above says "same origins as hip-hop, > soul, the blues and jazz", but all of those things have their own > disparate and ununifiable origins. And if all that is being said is > "all > techno has its origin in the music of ancient Africa" Think of it as > an > entangled web of influences rather than a hierarchy where many > "things" > share one common ancestor. Techno music as it is known in the US is > influenced by many, possibly ALL other types of music. As are all > other > types of music. There is also the problem of specificity and > generalisation... Every single subgenre, musician and piece of music > has > different influences, and those influences are not merely other forms > of > music - without external input (environment, events and so on) we > would > have an interbred homogenous quagmire of mediocre musical forms. > > > Erm, excuse me, I seem to have a chronic case of post-exam verbal > diarrhoea... > > To conclude, I think the idea of tracing roots is largely fruitless > anyway, and only serves
1999-05-12 17:06eric hill>all people, my belief dictates. But some just seem repulsed in thinking >or believing tha
From:
eric hill
To:
Date:
Wed, 12 May 1999 10:06:18 -0700 (PDT)
Subject:
Re: (idm) RE: (amb) African American Art
Reply to:
(idm) RE: (amb) African American Art
permalink · <Pine.BSF.4.10.9905121000290.11812-100000@shell3.ba.best.com>
quoted 3 lines all people, my belief dictates. But some just seem repulsed in thinking>all people, my belief dictates. But some just seem repulsed in thinking >or believing that something so sweet & soft, fragile, but hard & lush >could be created by African Americans.
who are these people you're referring to, and why should we care what they think? it's touching to see the attempt at altruistic concern, but talking and doing are not the same thing. eric onnow: lillienthal, "castor and pollux" (emanate)
1999-05-13 12:42Kelley HackettDamn John, that is a phat ass point. And U are absolutely correct! I fucking Love Mr. Fing
From:
Kelley Hackett
To:
'John Hart'
Cc:
'idm@hyperreal.org' ,
Date:
Thu, 13 May 1999 07:42:46 -0500
Subject:
(idm) RE: (amb) African American Art
permalink · <397CA68ABF5AD111863C00805F0DDE980B62A5@aba.iupui.edu>
Damn John, that is a phat ass point. And U are absolutely correct! I fucking Love Mr. Fingers, and that cat did create and help create the most fluid tunes that I have heard. Perhaps I need to get U one big loud fucking Microphone so U can broadcast that to the world! Man, whoever U R, keep on growing because clearly----in my eyes---U R dead on the mark! Dead on it! The fucking people here in America----well, I wont start! Hk-90!
quoted 42 lines -----Original Message-----> -----Original Message----- > From: John Hart [SMTP:johnhart1@hotmail.com] > Sent: Thursday, May 13, 1999 6:18 AM > To: KHACKETT@aba.iupui.edu > Subject: RE: (amb) African American Art > > > >Hendrix, May, Craig, are they Pioneers, I ask u? > > Yes of course, along with Saunderson, Fowlkes, Atkins and many others. > The > sad thing is that these Black Americans were recognised and respected > as > originators and innovators over here (England) years ago. Jaun Atkins > has > always been quite understandably bitter on this point - I mean he > practically invented techno 15 years ago and should by rights be a > rich and > respected figure in his own country yet still lives in relative > poverty and > obscurity. Sadder still, Chicago's Larry Heard (Mr Fingers, Finger > Inc) > became so disheartened with the American music industry he gave up > music to > work in computing just to make a living - and this man has made some > of the > most beautiful melancholic music I've ever heard. > > It seems that the music industry in America is quick to see white > musicians > as artists yet black musicians are only promoted as entertainers. > Basically > if you're black and not making soul or rap then they don't want to > know - I > just hope these guys are finally getting the props they deserve at > home > > John > > > ______________________________________________________ > Get Your Private, Free Email at http://www.hotmail.com
1999-05-13 23:03~\(\({\[Endemic~Distortion\]}\)\)~Isaac Trogdon wrote: > > > > > > Jaun Atkins > > > > has > > > > always been quite underst
From:
~\(\({\[Endemic~Distortion\]}\)\)~
To:
Isaac Trogdon
Cc:
ambivalent , It'ssupposedtosounDlikethat,moM
Date:
Thu, 13 May 1999 16:03:31 -0700
Subject:
(idm) Re: (amb) African American Art
permalink · <373B5A43.BEDD3A41@flash.net>
Isaac Trogdon wrote:
quoted 13 lines Jaun Atkins> > > > > > Jaun Atkins > > > > has > > > > always been quite understandably bitter on this point - I mean he > > > > practically invented techno 15 years ago > > > > When were Kraftwerk doing their work? Longer than 15 years I thought? > > Depends if you think that they're techno, of course. Never heard Atkins > > stuff so can't judge. > > kraftwerk were putting out records of the techno variety in the early to > mid 70's, out of which the early detroit scene evolved and was seriously > influenced by. i don't think this is a debatable point,
Not to cut off everything else here, but I have to say that I remember watching the old "Dance" shows on in the Detroit area way back then and seeing it shook to seeming endless cut-up and rehashed versions of Tour de France and other Kwerk classics. I agree, the point is hard to argue with. jeff -- jeff "10,000 people all screaming the same thing at the same time are wrong, even if they're right." dancing/about/architecture "...with wandering steps and slow..." ICQ904008