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Re: (idm) reynolds rant

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1999-04-08 23:36AndrewC. Re: (idm) reynolds rant
1999-04-08 23:57Anemic///ADSL Re: (idm) reynolds rant
1999-04-09 01:44Zenon M. Feszczak Re: (idm) reynolds rant
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1999-04-08 23:36AndrewC.>I disagree totally. I understand the rationale - that armchair avante-garde >chinstroking
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AndrewC.
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Thu, 8 Apr 1999 19:36:00 -0400
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Re: (idm) reynolds rant
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quoted 2 lines I disagree totally. I understand the rationale - that armchair avante-garde>I disagree totally. I understand the rationale - that armchair avante-garde >chinstroking elitism - ie you stay at home waxing poetic about difficult
music - is
quoted 1 line less revolutionary than challenging the status quo via partying and drug>less revolutionary than challenging the status quo via partying and drug
use. First
quoted 1 line off, i'd argue that partying and druge use does not challenge the status>off, i'd argue that partying and druge use does not challenge the status
qou. That's
quoted 1 line called teenage rebellion, and its had its cultural and musical movements>called teenage rebellion, and its had its cultural and musical movements
for the
quoted 1 line last century. Read a book on the 60s if you don't belive me.>last century. Read a book on the 60s if you don't belive me.
The 60's may have been the last youth uprising in America, but they don't call it the Second Summer Of Love in england for nothing. Drugs and party culture in england where very much a challenge to the status quo in those days - just read Reynold's book if you don't believe me. Huge illegal parties every weekend attracting thousands and thousands of people all over London and the southeast. Rave culture was all over the papers for months. New laws were enacted in parliament (see AeAntiEP). Brewers, who form a large and powerfull political lobby were nervous of their profits, as young people stopped drinking and looked elsewhere for their intoxication. Club culture and the free party scene is still kicking against the pricks today with groups like Reclaim the Streets and Advance Party and the pirate-radio stations democratising the airwaves in big cities. check www.urban75.com for a good view of the rave/politics interface. brock:
quoted 1 line As far as Simon Reynolds' tirade, I can't say that I disagree entirely.>> As far as Simon Reynolds' tirade, I can't say that I disagree entirely.
Maybe
quoted 1 line it's because I've read his book "Generation Ecstasy" (also worth scori>> it's because I've read his book "Generation Ecstasy" (also worth scoring)
Yep, an excellent book, though I don't recomend it to IDM'ers cos this flap occurs every year when Reynold's lays into another IDM sacred cow. Last time it was Squarepusher, and this year it's microlabels, and once again IDM just can't deal with the nasty outsider Reynolds and his love of *gasp* Danceable Dance Music. Anyway the book is an excellent history of dance culture in England. and he only lays into IDM at the end, so you should get most of the way through with your blood pressure intact :)
quoted 2 lines Compare someone who makes>>Compare someone who makes >> "difficult/avant garde" music to a kid who goes out to raves every
weekend and
quoted 1 line eats loads of drugs - Reynolds would argue that the kid is actually doing>> eats loads of drugs - Reynolds would argue that the kid is actually doing
more
quoted 1 line to push the envelope, challenge the status quo, etc.>> to push the envelope, challenge the status quo, etc.
Not only that, but that the musician who makes the soundtracks for that kid's nights out is making wierder and freakier music than any of the bedroom idm geeks who stand back from the dancefloor and make their own versions of club sounds (witness Drill'n'Bass) CheerioAndrewC.
1999-04-08 23:57Anemic///ADSL> >>Compare someone who makes > >> "difficult/avant garde" music to a kid who goes out to
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Anemic///ADSL
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AndrewC.
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Date:
Thu, 8 Apr 1999 18:57:11 -0500
Subject:
Re: (idm) reynolds rant
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quoted 4 lines Compare someone who makes> >>Compare someone who makes > >> "difficult/avant garde" music to a kid who goes out to raves every > weekend and > >> eats loads of drugs - Reynolds would argue that the kid is actually
doing
quoted 7 lines more> more > >> to push the envelope, challenge the status quo, etc. > > Not only that, but that the musician who makes the soundtracks for that > kid's nights out is making wierder and freakier music than any of the > bedroom idm geeks who stand back from the dancefloor and make their own > versions of club sounds (witness Drill'n'Bass)
I found that out to be true myself. Myself being some guy noddling about with computer programs on the weekend, the traditional bedroom musician. I then find that not to be the case when I meet this one guy, true IDM, stays up for days at a time making tracks that sound like V/Vm (which makes me wonder what minimal effort it is to make some of those tracks), has shit loads of equipment then calls me on not making music for myself, because I like to dance to Jeff Mills and Hawtin. Bugger if I care for him and his "dirty insomniac" IDM musician contingency. He just characterizes everything as noise. From your friend Boffin, ermmmm....known to everyone else as Rusty PS: I did like Reynolds book. I suggested it to that friend but just an impossible guy that he is. Also Ocean of Sound...but just not a spotter I assume.
1999-04-09 01:44Zenon M. FeszczakPhillips, Brock wrote: > As far as Simon Reynolds' tirade, I can't say that I disagree ent
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Zenon M. Feszczak
To:
Date:
Thu, 8 Apr 1999 21:44:30 -0400
Subject:
Re: (idm) reynolds rant
permalink · <v04020a00b3330a530ada@dialin0395.upenn.edu>
Phillips, Brock wrote:
quoted 6 lines As far as Simon Reynolds' tirade, I can't say that I disagree entirely. Maybe> As far as Simon Reynolds' tirade, I can't say that I disagree entirely. Maybe > it's because I've read his book "Generation Ecstasy" (also worth scoring) and > know his whole argument. If you read that one you'll understand better where > he's coming from - he's more interested in music as an agent of social change > and personal transformation, and idm seems a bit too self-indulgent and > deliberately elitist to work in that direction.
Have not read the book. However, the above seems just bizarre: Why does social change need to occur via mass movements of the lowest common denominator? Has not IDM wrought changes in the lives of its creators and listeners? Further: IDM has affected the mainstream as well, indirectly. The "underground" eventually affects the above-ground world. For example, "mainstream" musicians will listen to "underground" music to cop ideas. Or the underground artists break through into the mainstream, and what was music once rarefied goes stupified. A great number of creative movements have developed in this manner. (jazz, rock, house, techno, jungle, etc.)
quoted 9 lines Compare someone who makes> Compare someone who makes > "difficult/avant garde" music to a kid who goes out to raves every >weekend and > eats loads of drugs - Reynolds would argue that the kid is actually doing >more > to push the envelope, challenge the status quo, etc. while the "avant-garde" > musician is actually just working within the system for primarily >self-indulgent > reasons.
A few points here: One could argue that the rave/drug/hedonism culture is in fact the status quo. Beyond this, why assume it is positive to challenge the status quo? Is it not possible that there are some things of value to take from the past, or do we need to make the futile attempt at re-inventing the wheel on a daily basis? Sounds like a rebel without a cause. Regards, 3