Why were you in Detroit?
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quoted 5 lines From: Greg Earle <earle@isolar.Tujunga.CA.US>
>From: Greg Earle <earle@isolar.Tujunga.CA.US>
>To: lui@unixg.ubc.ca
>Subject: (idm) Industrial Jazz (was: Re: d'n b) ... and Syne Language
>Date: Sat, Apr 3, 1999, 10:13 PM
>quoted 26 lines If yall find yourself hating (strong word I know) DnB, for whatever reason,
>>> If yall find yourself hating (strong word I know) DnB, for whatever reason,
>>> be sure to check out a =B4new=B4 genre called Electro Breaks.
>>
>> Speaking of the 'new' genre, how new is 'Industrial Jazz'? (e.g. Lamb's
>> first album, track called 'Zero')
>
> Over 10 years old, since that's when the definitive Industrial Swamp Jazz
> album, Barry Adamson's "Moss Side Story", was released.
>
> ObIDM: Whatever happened to Syne Language? (Gerard Hanson) When in Detroit
> last weekend, I picked up a $6 promo copy of a Matrix Records comp.
> called "Digital Sects 2" dating from 1995 (other artists included
> Sean Deason in his Freq guise, some guy named "Morgan Geist" as
> "Faumgeist", and some artist named "Crux" that appears to be some guy
> named "Andrew Duke/Cognition Audioworks" - who he? :-P ) Anyway,
> there's these two Syne Language tracks on here that are absolutely
> gorgeous, lush IDM tracks, especially "Red Bubble". Is Syne Language
> now residing in the "Where are they now?" file? Beautiful stuff ...
>
> - Greg
>
> P.S. Drove Andrea Parker back to her hotel last night and learned the piece
> of paper she was handed in Miami Beach was a $300 ticket from a cop for
> noise violations! (And this happened while she was DJ'ing!)
>
>