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(idm) Re: Why Does Everyone Like The Beach Boys

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◇ merged from 2 subjects: (idm) re: why does everyone like the beach boys · (idm) why does everyone like the beach boys (used to be re:"air"-y fairy moon safari...)
1998-01-24 14:41lwtcdi (idm) Why Does Everyone Like The Beach Boys (used to be Re:"Air"-y Fairy Moon Safari...)
├─ 1998-01-25 21:43Ben Coffer Re: (idm) Why Does Everyone Like The Beach Boys (used to be Re:"Air"-y Fairy Moon Safari...)
└─ 1998-01-27 14:04Greg Earle (idm) Re: Why Does Everyone Like The Beach Boys
1998-01-28 01:22lwtcdi (idm) Re: Why Does Everyone Like The Beach Boys
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1998-01-24 14:41lwtcdi>>>The world, as far as I >>>can tell, like the Beach Boys so much because they wrote beau
From:
lwtcdi
To:
Chris.Hilker
Cc:
IDM
Date:
Sat, 24 Jan 1998 14:41:56 +0000
Subject:
(idm) Why Does Everyone Like The Beach Boys (used to be Re:"Air"-y Fairy Moon Safari...)
permalink · <34C9FDB4.3D80@lwtcdi.prestel.co.uk>
quoted 9 lines The world, as far as I>>>The world, as far as I >>>can tell, like the Beach Boys so much because they wrote beautiful, >>>melodic, pop music and you, me, idm should take note of some of the truly >>>innovative production ideas they used. >> >>1) I couldn't 'take note' just by listening to them. Somebody had to >>point out to me that they used a Theremin, because I'd be damned if I >>could tell. It was in the background on the chorus or something, and if >>that's innovative and daring, well...it aint, is it?!
quoted 2 lines If you were listening for a theremin on "Surfin' USA," as you told me in>If you were listening for a theremin on "Surfin' USA," as you told me in >private mail,
Oh yeah, just blab my private life out all over the list why don't you :-)
quoted 4 lines it's no wonder you couldn't hear it. Wilson used theremin> it's no wonder you couldn't hear it. Wilson used theremin > on two (released) tracks: "I Just Wasn't Made for These Times" and "Good > Vibrations." The theremin is used fairly subtly on the former track. If you > can't spot it in "Good Vibrations," you're deaf.
Guess I'm deaf then (hmmm, where did all these records come from?) ...Or maybe I was just blocking it all out.
quoted 3 lines Of course, the above techniques could have been pioneering in those>>Of course, the above techniques could have been pioneering in those >>bygone days, in which case, wow, do we have it good now! I take it all >>back - less originality in music, please!
quoted 2 lines When Wilson was doing what he did, the first eight-track recorders were>When Wilson was doing what he did, the first eight-track recorders were >just coming on the market. Stereo was a novelty,
...and still is!
quoted 4 lines since pop records were>since pop records were >recorded for AM radio. Synthesizers were only used by academics. MIDI? >SMPTE? Digital effects? Wilson took the possibilities of the recording >studio of his day as far as they could go.
I know what the 'feel' is like, but to me, in this kind of pop music, 'feel' doesn't mean that much anyway. Feel needs to be given room to breathe. In the traditional pop song, for me, it often isn't. In the case of The Beach Boys, the production techniques are almost irrelevant, and are just a way to justify liking their music (which I'm not suggesting that you need to do). IMO, any production subtleties are bludgeoned to death by the nature of the songs. Likewise for The Who... I don't deny that these bands may have influenced other people through the sound of their records, but
quoted 5 lines If you can't hear any evolution>If you can't hear any evolution >in his production and arranging style from, for instance, "Surfin' USA" and >"Little Deuce Coupe" to "The Little Girl I Once Knew" and "Sloop John B" >(let alone stuff from 'Smile' like "Heroes and Villains" and >"Cabinessence"), then you're not listening.
No, you're right, I'm not. As I said in my *private* mail, I have only heard the popular singles on the radio (many, many, many, many times) and therefore cannot appeciate the evolution you talk of. I'm sure it's there. The purpose of the post wasn't to slag them off, it was just to ask why people thought they were that good, as a side point to questions about Air. I know is probably not cool to like them, but that's not why I don't like them. I just never understood the appeal...
quoted 2 lines And, anyway, the Beach Boys' records don't stand or fall on whether or not>And, anyway, the Beach Boys' records don't stand or fall on whether or not >they're "innovative and daring."
I'd agree. Especially right now. So who the hell brought it up in the first place?
quoted 3 lines They work. They provoke very specific>They work. They provoke very specific >emotional and aesthetic responses, at least in me, and IMHO that's one of >the things good music does.
Well great! The Beach Boys records that I've heard produce "very specific emotional" responses in me, although I'm sure we're at opposite ends of the emotional spectrum on this one...
quoted 4 lines This is particularly true of 'Pet Sounds,' IMHO>This is particularly true of 'Pet Sounds,' IMHO >one of the best albums ever, which you really should listen to if all >you're basing your dismissal on is that you can't hear the theremin in >"Surfin' USA."
I'd love to, really I would, but (...searching for convenient excuse) ...sorry, you've got me on this one! I don't *want* to listen to it. Please feel free to call me an closed minded ignorant git at this juncture. My guess is that people who liked the Beach Boys got into them either around the time or at some point in their life when they were digging through the annals of pop history and didn't dig IDM & related music. I realise the Beach Boys mean a lot to some people, but I'd say that most of the people who are on this list now, who haven't heard them, wouldn't exactly be chomping at the bit to hear them. If I'm wrong, please feel free to correct me.
quoted 4 lines (And if you still don't get it on hearing 'Pet Sounds,'>(And if you still don't get it on hearing 'Pet Sounds,' >there's a new boxed set out that pulls back the curtain and shows just how >much went into the production on that album. Probably only for completists, >but most of the people on this list seem to be completists.)
I dunno. I don't think the boxed set would help. I reckon Pet Sounds is destined to be misunderstood by me, 'cos I wasn't born at the time, and my view has been tainted by radioplay and the musical tastes of my parents.
quoted 3 lines If I ever need to know whether a record is "innovative and daring" before I>If I ever need to know whether a record is "innovative and daring" before I >can enjoy it, I'll know I've forgotten why I listen to music in the first >place.
Don't go directing that statement at me! I didn't even know The Beach Boys were "innovative and daring" for the first 10 years I heard them. I just knew I didn't like it. Now if that's not gut feeling, I don't know what is! gb.
quoted 1 line PS Poll results will in all likelihood be posted today or tomorrow.>PS Poll results will in all likelihood be posted today or tomorrow.
Thanks! See, one little line didn't hurt now did it? gb. -- /TheW i http://www.homeusers.prestel.co.uk/lwtcdi/all/ f o L D o dlr WTC "Let's decompose and enjoy assembling!"
1998-01-25 21:43Ben CofferIn message <34C9FDB4.3D80@lwtcdi.prestel.co.uk>, lwtcdi <graham@lwtcdi.prestel.co.uk> writ
From:
Ben Coffer
To:
Date:
Sun, 25 Jan 1998 21:43:06 +0000
Subject:
Re: (idm) Why Does Everyone Like The Beach Boys (used to be Re:"Air"-y Fairy Moon Safari...)
Reply to:
(idm) Why Does Everyone Like The Beach Boys (used to be Re:"Air"-y Fairy Moon Safari...)
permalink · <qzIRtBAqH7y0Ewue@hybridgame.demon.co.uk>
In message <34C9FDB4.3D80@lwtcdi.prestel.co.uk>, lwtcdi <graham@lwtcdi.prestel.co.uk> writes
quoted 7 lines it's no wonder you couldn't hear it. Wilson used theremin>> it's no wonder you couldn't hear it. Wilson used theremin >> on two (released) tracks: "I Just Wasn't Made for These Times" and "Good >> Vibrations." The theremin is used fairly subtly on the former track. If you >> can't spot it in "Good Vibrations," you're deaf. > >Guess I'm deaf then (hmmm, where did all these records come from?) >
Uh? Hello? Even *I* know that there's a Theremin in Good Vibrations... it's very distinct indeed....and it goes oooooowoooowooooo..... -- Ben Coffer Hybrid Productions http://www.hybridgame.demon.co.uk/
1998-01-27 14:04Greg Earle[ Jumping in late here, sorry ] >> since pop records were >> recorded for AM radio. Synthe
From:
Greg Earle
To:
Cc:
Date:
Tue, 27 Jan 1998 06:04:13 -0800
Subject:
(idm) Re: Why Does Everyone Like The Beach Boys
Reply to:
(idm) Why Does Everyone Like The Beach Boys (used to be Re:"Air"-y Fairy Moon Safari...)
permalink · <9801271404.AA15860@isolar.Tujunga.CA.US>
[ Jumping in late here, sorry ]
quoted 12 lines since pop records were>> since pop records were >> recorded for AM radio. Synthesizers were only used by academics. MIDI? >> SMPTE? Digital effects? Wilson took the possibilities of the recording >> studio of his day as far as they could go. > > I know what the 'feel' is like, but to me, in this kind of pop music, > 'feel' doesn't mean that much anyway. Feel needs to be given room to > breathe. In the traditional pop song, for me, it often isn't. In the > case of The Beach Boys, the production techniques are almost irrelevant, > and are just a way to justify liking their music (which I'm not > suggesting that you need to do). IMO, any production subtleties are > bludgeoned to death by the nature of the songs. Likewise for The Who ...
Ignoring wells' ignorant little rant (yeah, much better to listen to Nurse With Wound; groundbreaking new stuff there wells, flame me now big boy) ... Irony of ironies: The next-to-last time I was up in SF, I went over to Dropbeat Records (home of the Dropbeat label, and a damned good little store) with Ambient list listmeister Andy Thomas. And just what was the in-store stereo pumping out at this paragon to the Kinda New, Kinda Now, Kinda WOW! in music? "The Who Sell Out". Now THAT was fucking cool. There's a vague handwaving definition out there; it's one that takes the word "popular" out of "Pop" and substitutes something different: it's the crystalline perfection of the 3-minute single, the expressiveness and compactness of a tiny slice of perfectly arranged and played music ... I'm not gifted with the gift of florid prose but I'm sure most of you know what I mean. My definition of "Pop" is populated by records like Wire's "Map Ref." or "Ahead" or Joy Division's "Dead Souls" or "Love Will Tear Us Apart" or just about any Buzzcocks single or Elastica's "Connection" (to quote a more recent recording) or a Curve single or ... well, I'm sure you get the idea. And I think "The Who Sell Out" - as an album - stands up there with all of them. This has fuck-all to do with IDM at this point, but I have to stick up for records like this and "Pet Sounds" ... truely Landmarks in Modern Music ... (Not to flog this dead horse into the ground, but you better bet your ass that The Beatles, The Stones and The Who all rushed out to get every Beach Boys album that came out as soon as it hit the shelves ... both The Beatles and The Stones have said that "Pet Sounds" *massively* influenced them - namely "Sgt. Pepper's Lonely Hearts Club Band" & "Their Satanic Majesties Request" - and The Who used to regularly cover "Barbara Ann" in their shows from the '66 to '68 period) - Greg
1998-01-28 01:22lwtcdiGreg Earle wrote: > (Not to flog this dead horse into the ground, but you better bet your
From:
lwtcdi
To:
Greg Earle
Cc:
IDM
Date:
Wed, 28 Jan 1998 01:22:48 +0000
Subject:
(idm) Re: Why Does Everyone Like The Beach Boys
permalink · <34CE8868.3DF6@lwtcdi.prestel.co.uk>
Greg Earle wrote:
quoted 7 lines (Not to flog this dead horse into the ground, but you better bet your ass that> (Not to flog this dead horse into the ground, but you better bet your ass that > The Beatles, The Stones and The Who all rushed out to get every Beach Boys > album that came out as soon as it hit the shelves ... both The Beatles and > The Stones have said that "Pet Sounds" *massively* influenced them - namely > "Sgt. Pepper's Lonely Hearts Club Band" & "Their Satanic Majesties Request" - > and The Who used to regularly cover "Barbara Ann" in their shows from the '66 > to '68 period)
I respect your respect, but I think you've got to take into account that not all people (especially the younger generation) worship at the altar of The Beatles, The Stones and The Who, and therefore the fact that said bands loved the Beach Boys and bought all their records means less than nothing to people such as myself who do not hold Sargeant Pepper et al in high regard. gb. -- /TheW i http://www.homeusers.prestel.co.uk/lwtcdi/all/ f o L D o dlr WTC "Let's decompose and enjoy assembling!"