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Re: (idm) review: spunk jazz

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◇ merged from 3 subjects: (idm) review: spunk jazz · (idm) review: spunk jazz (long) · (idm) review: spunk jazz (short)
1997-11-05 16:46(idm) review: spunk jazz (long)
└─ 1997-11-05 18:18original soundmaster Re: (idm) review: spunk jazz (short)
1997-11-05 17:11FreyGuy Re: (idm) review: spunk jazz
1997-11-05 18:22.... Re: (idm) review: spunk jazz
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1997-11-05 16:46Martin_Burbridge@3com.comso after using a nifty research technique i picked up on this list, i've discovered that m
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Wed, 5 Nov 1997 11:46:16 -0500
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(idm) review: spunk jazz (long)
permalink · <85256546.0052FB8C.00@hqoutbound.ops.3com.com>
so after using a nifty research technique i picked up on this list, i've discovered that men are more interested in ball games than idm. so as to prevent us blokes from getting sleepy i've done this review in the style of a football (soccer) match. the reviewed release is the home team, it's awarded a goal for a good to stunning track, no goal for average track indicated by tie. duff tracks are a goal to the away team, oooh. if the final score allows i can then match the cd to a teams current performance to give a general idea how good it is. for instance on the current form of the team i support, everton, they would roughly be equivalent to a review of the new spice girls lp. don't worry spunk jazz is better. here we go: spunk jazz/cd/ill -> animals on wheels "hate me" - like mark stewarts "..veneer of demcracy.." lp gone drum'n'bass, tho' mu-ziq might be a more contemporary pointer. wildly distorted and placed unfeasibly high in the mix, the drums attempt to bury a cute melody and some skittery snare, but imo don't quite succeed. what an opener. goal. 1-0. -> si begg "you're on you're (sic) own" - complex chattery percussion leads into a tr*p-h*ppy lope, with gently building dub atmosphereics. middle section does go on a bit, but then there's a fade, and lo, a groovy guitar lick takes it into an enternaining close. goal (just). 2-0. -> bubbah's tum "dirty great mable" - west coast rap style intro w/ glue sniffing monologue alert. militaristic beats drenched in distortion, with more massively up-front drums in total eq overload shock. for most of the duration tho' melody and variety are conveyed by a lone squiggling synth. despite the great title its not quite enough. oooh. 2-1. -> paddington breaks "wetwang" - wheee. squarepusher style drum heaven, in a bath of warm afx bubbles. beautiful. goooooooaal! 3-1. -> come on feel the nothing "fat dog (12 o'clock)" - warning, very fast, very distorted, in a check yer headphone cable kinda way, drums. a guy shouts, then it gets faster. when things do slow down, the distortion gets cranked up further. whew. goal by mindfuck. 4-1. -> value ape "old school knee clicker" - more conventional, tho' graceful and sweeping, drum'n'bass. sublimainal c+w (??) snippet heralds a drop in the sound, then the pace ups a bit. er, and thats it really. v. short tho. tie. still 4-1. -> mould "holiby's theorem" - jazzy sq*p*r drums, and a splinteringly icy melody are gradually thawed by warm synth washes and an increasingly deep bubbling bass glow. a mellow lovely goal. 5-1 -> hoarse operator "blue tea" - oh oh, doomy atmospherics. decent drum program can't quite lift it. overuse of sample "do you wanna be poisoned, do you wanna be murdered, do you wanna be killed?" (er, no) make this one for the goths when they get into d'n'b. oooh. 5-2. -> animals on wheels "f.y.a." - nervously noodly this track made me want to go and do something else. was then in danger of being rescued by some ace fractured drumming. then became more furiously noodly. the drums again take over leading into a fusion(y) keyboard calm. again overwhelmed by nervousness, with the drumming getting stronger than ever. it keeps going on like this, help. tie. 5-2 -> paddington breaks "spare parts" - we are now entering an industrial area, please wear your hardhats. clanky noise is dragged onto the dancefloor by a furiously insistant disco funk animal. not subtle, but has what it takes. goal. 6-2 -> milky boy "the ballad of terry ping" - somewhat interesting bass kills time waiting for something to happen. there is no shortage of attempts at distraction, but the central rhythm unfortunately remains leaden and unadventurous. may have been better if alll the good bits were squeezed into 3 minutes, but at 6+ it's way too long. oooh. 6-3 -> vert "tense and leaning" - mighty evil noise kick starts this into action. then loss of points for adding sisnister organ sound, thereby being guilty of trying to sound scary. lots of interesting textures used tho'. tie. final score stays at 6-3. so a good win for spunk jazz. on current form it probably warrants a man utd. -bub
1997-11-05 18:18original soundmaster>final score stays at 6-3. >so a good win for spunk jazz. on current form it probably warr
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original soundmaster
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Wed, 05 Nov 1997 12:18:34 -0600
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Re: (idm) review: spunk jazz (short)
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(idm) review: spunk jazz (long)
permalink · <3.0.1.32.19971105121834.006c529c@delta.is.tcu.edu>
quoted 3 lines final score stays at 6-3.>final score stays at 6-3. >so a good win for spunk jazz. on current form it probably warrants a man >utd.
sounded less like a game of football and more like a circle jerk. i think this whole drill'n'bass thing has its roots more in masturbation than in jazz, jungle, techno or rock. 0-11. a bore. if it wasn't for the winstons and their beloved break, most of these guys would still be working at Our Price. g.
1997-11-05 17:11FreyGuyMartin_Burbridge@3com.com wrote: > -> hoarse operator "blue tea" - oh oh, doomy atmospheri
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FreyGuy
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Wed, 05 Nov 1997 11:11:13 -0600
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Re: (idm) review: spunk jazz
permalink · <3460A8B0.772EE671@evansville.net>
Martin_Burbridge@3com.com wrote:
quoted 4 lines -> hoarse operator "blue tea" - oh oh, doomy atmospherics. decent drum> -> hoarse operator "blue tea" - oh oh, doomy atmospherics. decent drum > program can't quite lift it. overuse of sample "do you wanna be poisoned, do > you wanna be murdered, do you wanna be killed?" (er, no) make this one for > the goths when they get into d'n'b. oooh. 5-2.
I agree (mostly), except for this song. I think its one of the better on the comp. However, I do agree that there is a slight overuse of samples in there, but, IMO, its a mad track! May be a bit harsh for some of the non-industrial of backgrounds (as are other parts of the comp). Love your clever format, btw =;-) and no, I'm not being sarcastic. !Kev! ------ FreyGuy <Everyday is FreyDay> Network & Lotus Notes Administrator Hansen Corporation / A Minebea Group Company *KevFrey@evansville.net WebSite: http://www.evansville.net/~kevfrey/
1997-11-05 18:22....> > -> hoarse operator "blue tea" - oh oh, doomy atmospherics. decent > drum > > program c
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Wed, 05 Nov 1997 18:22:26 +0000
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Re: (idm) review: spunk jazz
permalink · <3460B960.49C7A49D@virgin.net>
quoted 15 lines -> hoarse operator "blue tea" - oh oh, doomy atmospherics. decent> > -> hoarse operator "blue tea" - oh oh, doomy atmospherics. decent > drum > > program can't quite lift it. overuse of sample "do you wanna be > poisoned, do > > you wanna be murdered, do you wanna be killed?" (er, no) make this > one for > > the goths when they get into d'n'b. oooh. 5-2. > > I agree (mostly), except for this song. I think its one of the better > on the > comp. However, I do agree that there is a slight overuse of samples > in there, > but, IMO, its a mad track! May be a bit harsh for some of the > non-industrial > of backgrounds (as are other parts of the comp).
i agree that there is overuse of that sample too.... but hey it is Cary Grant! Steve /k/./F/