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RE: (idm) SP vs D&B (was anti-idm)

3 messages · 3 participants · spans 2 days · search this subject
◇ merged from 2 subjects: (idm) sp vs d&b · (idm) sp vs d&b (was anti-idm)
1997-06-08 01:40Christopher Fahey RE: (idm) SP vs D&B (was anti-idm)
└─ 1997-06-09 12:51pHile RE: (idm) SP vs D&B
1997-06-09 14:20Andrew Cowper RE: (idm) SP vs D&B (was anti-idm)
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1997-06-08 01:40Christopher FaheySometimes I like to imagine that Tom Jenkins is the kind of person who could just as well
From:
Christopher Fahey
To:
'giv@purescript.com.au' , idm@hyperreal.com
Date:
Sat, 7 Jun 1997 21:40:14 -0400
Subject:
RE: (idm) SP vs D&B (was anti-idm)
permalink · <01BC738B.790A2E50@localhost>
Sometimes I like to imagine that Tom Jenkins is the kind of person who could just as well have ended up in a Jazz Fusion band if not for some timely mind-bending introduction to breakbeat electro and digital music about four years ago. Some of the songs on Hard Normal Daddy could indeed pass as Fusion. A freind of mine thought it was fusion when he heard it, and he knows what jungle is. The opening track sounds like a 70's cop TV show theme song. To me, 99% of jungle sounds the same, and it sounds very different from SP. If you heard a NEW t-Power track, or a new Dillinja track, or any of those guys Simon Reynolds talks about, would you be able to identlify the artist without being told who it is? In fact, think about how many artists there are who you could identify at all just by the way it sounds. The list would be tiny, and it would include Squarepusher. It would not include 99% of jungle artists. 99% of jungle artists are basically just one big musician with a single agenda: to create the perfect expression of the formulaic jungle/house track. These guys make good music, but not great music. TJ makes great music. I think the artists whom this list revolves around (AFX, Squarepusher, etc) have distinct styles and innovative ideologies about what they do, and purposefully differentiate themselves from mainstream crap. Most artists try to fit into a scene and make music which fits into a mix (which is what Simon Reynolds advocates). Most artists seek to conform, which is why I think they mostly suck. Some people try on purpose to make music which sounds different and distinct. These people do not suck. I don't even think of what SP does as jungle because if you make a list of what he does with his music and who his influences are in order of importance, you will probably come up with something decidedly un-jungle. He's a bass player and obviously has some drum skills. I'll bet he played in his high school marching band, if they have them in england. I'll even bet he doesn't even listen to much jungle, and I'll bet he never went to a rave in his life. Maybe I'm idealizing him. I need a drink... -CF -----Original Message----- From: April O'Neal [SMTP:giv@purescript.com.au] T-Power was doing experimental Drum and Bass when Jenkins was still hanging out with his raver friends in the early 90s, BUT.... Squarepusher has taken Jungle and taken it to the edge, even Aphex can't top that, but there is only so much you can do with jungle and thats why 'Hard Normal Daddy' has taken a sudden turn towards cheesy 70s disco funk and Tom knows that!
1997-06-09 12:51pHileChristopher Fahey <chrisfahey@mindspring.com> writes: > If you heard a NEW t-Power track,
From:
pHile
To:
Cc:
Christopher Fahey
Date:
Mon, 9 Jun 1997 12:51:21 +0000
Subject:
RE: (idm) SP vs D&B
Reply to:
RE: (idm) SP vs D&B (was anti-idm)
permalink · <A2E18C0EBB@bagpuss.argonaut.com>
Christopher Fahey <chrisfahey@mindspring.com> writes:
quoted 3 lines If you heard a NEW t-Power track, or a new Dillinja track, or any> If you heard a NEW t-Power track, or a new Dillinja track, or any > of those guys Simon Reynolds talks about, would you be able to > identlify the artist without being told who it is?
In the case of T-Power, or say the No U-Turn crew, or Panacea , the answer would have to be yes. Both have distinct styles, as do many other junglists. I have friends that can spot Shy-FX, Aphrodite, Ganja Kru, and many others, but then they listen to a >lot< of jungle, (which isn't that hard when you live in grand jungle central). Oh, and Reynolds can kiss my crack with his big wannabe lips.
quoted 6 lines In fact, think about how many artists there are who you could> In fact, think about how many artists there are who you could > identify at all just by the way it sounds. The list would be tiny, > and it would include Squarepusher. It would not include 99% of > jungle artists. 99% of jungle artists are basically just one big > musician with a single agenda: to create the perfect expression of > the f
The F? Surely this is just a variant on the 'It all sounds the same' argument, which is deeply rooted in your listening context. To me, italian opera all sounds the same, but this is obviously not true for (most if not all) italian opera fans. Of course ths isn't to say I don't like italian opera, just that I haven't listened to that much. pHile "Time flies like an arrow. Fruit flies like a banana." Groucho Marx
1997-06-09 14:20Andrew CowperChristopher Fahey <chrisfahey@mindspring.com>: > If you heard a NEW t-Power track, or a ne
From:
Andrew Cowper
To:
Date:
Mon, 09 Jun 1997 10:20:42 -0400
Subject:
RE: (idm) SP vs D&B (was anti-idm)
permalink · <339C113A.15E@dvcorp.com>
Christopher Fahey <chrisfahey@mindspring.com>:
quoted 4 lines If you heard a NEW t-Power track, or a new Dillinja track, or any of those guys Simon> If you heard a NEW t-Power track, or a new Dillinja track, or any of those guys Simon > Reynolds talks about, would you be able to identlify the artist without being told who it > is? In fact, think about how many artists there are who you could identify at all just by > the way it sounds.
Ah hah - the idm version of the pepsi challenge - I accept! OK - maybe individual artists would be hard to identify, but theres plenty of record labels/crews who have a distinct style e.g. Mickey Finn/Urban Takeover's Hip Hop Jump up style. No-U-Turn Which are all made in colaboration with one man i.e. Nico - Obvious slow syrupy scary techstep Photek and his ultra complex breakbeat science T-Power - squelchy pretty synth melodies Hype/Ganja Kru/True Playaz - Mad Amen rolling style Source Direct - manic beat switching amen cutups (actually source direct have been showing a lot of variation recently - check Hokusai and two masks) Grooverider/Protoype - fierce beats with the trade mark bwwaaaaaoooohh acid bass noise. (well you try and spell it!) And so on and so forth. And to all the cop outs who are just calling Reynolds an idiot - Come on, so he has different tastes to you try and think up some proper arguments, huh?
quoted 1 line To me, 99% of jungle sounds the same>To me, 99% of jungle sounds the same
Well let me just say what I say (and what I guess you'd say too) to all the people who use this line to diss electronic music in General - You ain't listening hard enough. Cheers, Andrew C. PS - before any flames start rolling in - I like SquarePusher too! This message isn't anti SquarePusher - its pro-jungle!