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(idm) Review: Bisk.Strange Or Funny-Haha?

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1997-06-03 01:18Sean Cooper (idm) Review: Bisk.Strange Or Funny-Haha?
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1997-06-03 01:18Sean CooperBisk.Strange Or Funny-Haha? (Sub Rosa) 1997 Bisk's second full-length album for Sub Rosa i
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Sean Cooper
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Mon, 2 Jun 1997 17:18:37 -0800
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(idm) Review: Bisk.Strange Or Funny-Haha?
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Bisk.Strange Or Funny-Haha? (Sub Rosa) 1997 Bisk's second full-length album for Sub Rosa is both strange and funny-haha; strange in its almost unprecedented fusion of vagued-out electronica (electro, experimental hip-hop, left-field drum'n'bass...but all of these only barely) with everything from manic bop and Zorn-esque post-free jazz to avant-gardist loop'n'splice tape massacre and plunderphonic sound collage; and funny-haha...well, for much the same reason. Hyogo-based Naohiro Fujikawa's extreme methods of genre-obliterating abstraction are so warped and smeared that sometimes the only thing you can do is shake your head and laugh. However, like its predecessor, last year's =Time=, =Strange= lurks in shadows, its restless buzz approximating the paranoid fidget of a schizophrenic battling a radio dial. As suggested, some of these tracks are probably more adequately described as sample-based free jazz (except that they usually have some sort of recurring structure...often only barely perceptible, but it's there), with massively tweaked and distorted (but also quite clean and extremely well-produced) textures providing the basis for the music, not the more conventional synth patches, lfo/vcf modulation, and percussion sounds and patterns associated with 90 percent of dance-based electronic music. Recent Atom Heart (_Built_, _Brown_, _Hat_) and Elfish Echo's _Sato Yumiko_ are still the closest touchpoints, but Bisk is arguably more severe in his approach, with clangy, often noise-based rhythmic structures adding a sharp, threatening edge. Oddly, the whole thing remains damn funky, as well, and miles away from the soulless sampleblurt noodlings of yer Jon Oswalds, Ground Zeros, etc. Think maybe David Shea crossed with the Black Dog, shitfaced, wrestling with Rakim and AMM on a bullet train outside of William Gibson's Tokyo etc. "Experimental" does not even come close. Rating: 9 CD1. Tuning CD2. Convergence CD3. Rolling And Pitching CD4. Momentary Stir CD5. Rhythm And Blues CD6. Chattering Jazz CD7. Viscosity One CD8. Gamelan CD9. Viscosity Two sc p.s. Failure to release albums like this on vinyl should be considered a punishable offense...