IDM Mailing Archive

1996-11-22 18:09Aran Parillosorry if this has been discussed, but how is: FLARE Grip Sublime any persons wishing to pu

From:: Aran Parillo <aran@hnt.com>
To:: it.doesn't.matter <idm@hyperreal.com>
Date:: Fri, 22 Nov 1996 13:09:58 -0500 (EST)
Subject:: (idm) FLARE

sorry if this has been discussed, but how is: FLARE Grip Sublime any persons wishing to put lay it on the funk-o-meter scale? doei! tp .... . . . . . . . . . . . . .... Aran M. Parillo -> aran@hnt.com <- Deck Hand Et Al Harrison & Troxell

1996-11-22 18:30James>sorry if this has been discussed, but how is: >FLARE Grip Sublime >any persons wishing to

From:: James <JSEO@us.oracle.com>
To:: <idm@hyperreal.com>
Date:: 22 Nov 96 10:30:05 -0800
Subject:: Re: (idm) FLARE

quoted 3 lines sorry if this has been discussed, but how is:

>sorry if this has been discussed, but how is: >FLARE Grip Sublime >any persons wishing to put lay it on the funk-o-meter scale?

I got this back when it came out in Japan. More expensive than domestic :( but as a consolation gift, it did come with a small CD-ROM with QT movies of Ishii videos. The album is not too different from his output as KI - crystalline techno, B12ish with more minor-key melodies. A few tracks stood out, matching the best moments on Time Tourist, but I didn't find it too captivating. James Jung-Hoon Seo // Oracle New Media (415) 506-3829 // jseo@us.oracle.com My whole thing is to take completely retarded songs and turn them into something of my own. What can I bring to a song that's already been done well? // Mark Kozelek

1996-11-22 19:38Lance C. McGannonAt 01:09 PM 11/22/96 -0500, you wrote: >sorry if this has been discussed, but how is: >FLA

From:: Lance C. McGannon <mclance@en.com>
To:: Aran Parillo <aran@hnt.com>
Cc:: Intelligent Dance Music Mailing List <idm@hyperreal.com>
Date:: Fri, 22 Nov 1996 14:38:27 -0500
Subject:: Re: (idm) FLARE

At 01:09 PM 11/22/96 -0500, you wrote:

quoted 4 lines sorry if this has been discussed, but how is:

>sorry if this has been discussed, but how is: >FLARE Grip Sublime >any persons wishing to put lay it on the funk-o-meter scale? >

Actually, I just picked this up the other day. I remembered seeing James do a review of this release a few months ago but last week was the first time I saw it available in the states. And here's my review... Flare (Ken Ishii): Grip CD (Sublime-Japan) Ten tracks of down tempo experimental techno that is unlike his more straightforward techno material on R&S. This release utilizes complex polyrhythms, off-kilter melodies and unique sound effects. This is a great venture into melodic experi- mental techno and is, by far, my favoite Ken Ishii release. If you get a chance, check out the Dan Curtin Deception lp. It's another great Sublime-Japan release that features ten stellar techno-jazz tracks including two remixes by Ken Ishii and K Hand. -->-Lance--- p.o. box 450715 westlake, ohio 44145 united states

1996-11-22 20:54quentin>another great Sublime-Japan release that features ten stellar Any other Sublime stuff by

From:: quentin <qrogers@unixg.ubc.ca>
To:: <idm@hyperreal.com>
Date:: Fri, 22 Nov 1996 13:54:15 -0700
Subject:: Re: (idm) FLARE

quoted 1 line another great Sublime-Japan release that features ten stellar

>another great Sublime-Japan release that features ten stellar

Any other Sublime stuff by Susumo Yokota? I've got the Ringo 2*12 and it's amazing melodically complex and groove filled. Any suggestions??? q ------------------------------------------------------------ Music is prophecy: its styles and economic organisation are ahead of the rest of society because it explores, much faster than material reality can, the entire range of possibilities in a given code. It makes audible the new world that will gradually become visible. --Jacques Atalli: Noise (1977) --- f/4 and HQ drum'n bass productions online soon... ---

Re: (idm) FLARE