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(idm) Reviews!

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1996-08-23 02:59Matthew J. Lehrer (idm) Reviews!
└─ 1996-08-23 07:09Aaron Michelson Re: (idm) Reviews!
1996-08-23 16:03Helen Adriaens (idm) Reviews!
1997-06-11 10:15Subconscious Geography (idm) reviews!
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1996-08-23 02:59Matthew J. LehrerBallet Mechanique: Ballet Mechanique: Eevo Lute Muzique (EEVO 021) - Jeroen Borrenbergs fi
From:
Matthew J. Lehrer
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Date:
Thu, 22 Aug 1996 22:59:50 -0400 (EDT)
Subject:
(idm) Reviews!
permalink · <Pine.OSF.3.93.960822225531.13344A-100000@is3.NYU.EDU>
Ballet Mechanique: Ballet Mechanique: Eevo Lute Muzique (EEVO 021) - Jeroen Borrenbergs fills in the gap left by the Black Dog Productions split with a rather BDP-esque outing for Stefan Robbers' label. "Embody" embodies ultra-lush Detroit techno, while "The Third Ear" and "Evolutionary Entities" are crisp, snappy breakbeat delights. All the cuts bear the earmarks of the Dog, though, from the slinky, distinctive rhythms to their happy/sad approach to melody. Borrenbergs clearly kicks much Eindhoven soul, and _Ballet Mechanique_ is the sound of him magnifying it through a techno lens. Magnificent. Dopplereffekt: Infophysix: Dataphysix (DX 002) - How do you spell Dopplereffekt? E-L-E-C-T-R-O, that's how. Rudolf Klorzeiger and Kim Karli strike back with their second 12" on Detroit mystery-imprint Dataphysix, and it's even better than their first effort. However, the same rules apply - decidedly retro-sounding electronic funk meets Drexciyan overtones on "Voice Activated" and "Die Radiometre," shimmering kitsch-futurism on "Infophysix," and unabashed sex on "Pornoactress" and "Pornovision." It's not easy to add subtle newness to an old sound, but Dopplereffekt pull it off while keeping things FUN-ky. Electronome: Electronome: Interr-Fered Communications (HM 1202) - Some of the freshest beats on wax are bubbling up from the sewers of The Hague, and this five-tracker is a prime example. Extending things from where last year's _No Landscape_ left off, Electronome busts demonic funk in all directions and tempos, from the sinister, slow-and-low ride of "Bro" and "Minimal Dope," to the distorted, Arp-abusing, wildly percussive assault of "Drumcomputer en een synthesizer II." And don't forget the cheerier "Influence," with it's Kraftwerkian, synth-pop styled melodics. Major Dutch talent on the electro-techno tip - just imagine Autechre in a fit of crack-induced paranoia and you're there. Flexitone: Rotoreliefs EP: Planet E Communications (PE-FLEX1) - "Pulse Of Revolution" first appeared in slightly altered form as "The Pulse Of Evolution" on Planet E's _Elements Of And Experiments With Sound_ compilation, and it is the showpiece of this four-track picture disk, melding cavernous kick-drum-riffing with devastating highs and a deep-sea bassline. "Metacognition," on the flip, is an Ectomorph-stylee, tempo-changing electro cut, and it is followed by its own spooky accapella, which mainly consists of twisted, treated, German-sounding vocal snippets. Jega: Jega: Skam (SKA 006) - The unknown Jega has put together not only Skam's finest moment, but one of the finest electronic dance music records of the year. Concentrating solely on the various incarnations of the blessed breakbeat, the seven tracks on this record range from hip-hop-speed jeep-beats to experimental drum'n'bass to steel-drum-tinged electro. Each is ominously draped with dark, brooding atmospherics, and Jega's attention to rhythmic detail is astounding as well. Techno from the outer limits. Sem: Demon EP: Electron Industries (TRON 7) - Contained within the two label-less slabs of clear red vinyl that comprise this double-EP are the superb sci-fi electro-techno concoctions of one Damon Baxter. Baxter's tracks are not unlike the epic, Blade Runner-esque productions of Gianluigi DiCostanzo, a.k.a. Bochum Welt, but Baxter packs more ghetto-flavored punch into his grooves than DiCostanzo does. The result is that each of the cuts on this EP is fully dancefloor-ready, complete with heavily reverbed kick-drums, elastic basslines, and string-drenched moodiness. Shake that cyborg booty, baby. - Matthew
1996-08-23 07:09Aaron MichelsonOn Thu, 22 Aug 1996, Matthew J. Lehrer wrote: > Jega: Jega: Skam (SKA 006) > - The unknown
From:
Aaron Michelson
To:
Matthew J. Lehrer
Cc:
Date:
Fri, 23 Aug 1996 03:09:33 -0400 (EDT)
Subject:
Re: (idm) Reviews!
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(idm) Reviews!
permalink · <Pine.BSF.3.91.960823030601.5782B-100000@zot.io.org>
On Thu, 22 Aug 1996, Matthew J. Lehrer wrote:
quoted 9 lines Jega: Jega: Skam (SKA 006)> Jega: Jega: Skam (SKA 006) > - The unknown Jega has put together not only Skam's finest moment, but > one of the finest electronic dance music records of the year. > Concentrating solely on the various incarnations of the blessed > breakbeat, the seven tracks on this record range from hip-hop-speed > jeep-beats to experimental drum'n'bass to steel-drum-tinged electro. > Each is ominously draped with dark, brooding atmospherics, and Jega's > attention to rhythmic detail is astounding as well. Techno from the outer > limits.
The underrated Bola 1 12" (SKA 005) is easily as good as the Jega 12". While I find Jega a tad on the bland side at times, Bola is simply unbelievably brilliant. Bola just doesn't get enough slack on this list, and deserves to be hyped as well. Lame Thread Prevention in Effect: Aaron Michelson --------------------------------------------------------------------- aw-teck'r (autechre) "Everything you Know is Wrong." For reviews, interviews, art & trash http://www.io.org/~amichel/ amichel@io.org
1996-08-23 16:03Helen AdriaensMatthew J. Lehrer wrote: mNE> Jega: Jega: Skam (SKA 006) mNE> - The unknown Jega has put t
From:
Helen Adriaens
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Cc:
Date:
23 Aug 96 18:03:04 +0200
Subject:
(idm) Reviews!
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Matthew J. Lehrer wrote: mNE> Jega: Jega: Skam (SKA 006) mNE> - The unknown Jega has put together not only Skam's finest mNE> moment, but one of the finest electronic dance music records mNE> of the year. You are not wrong. Definitely my number 1 for 1996. I think JEGA made the music I wished for Mike & Rich to have made together instead of being expert knob twiddlers with a crooked sense of humour. To continue on this blasphemious note: I'd immediately swap Squarepusher for JEGA. You know, reading your review, and having listened to JEGA, RDJ, MP and SQR again and again (not failing to notice the similarities), would you believe JEGA is actually Mick & Rich & Tom moulded into one? I'd like a woodenspoon like that everyday. Helen -> ... do believe the hype! OnNow: Aphex Twin - Donkey Rhubarb
1997-06-11 10:15Subconscious Geographyu-ziq - my little beautiful play it on 33 and this sounds like a return to form for paradi
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Subconscious Geography
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Date:
Wed, 11 Jun 1997 11:15:38 +0100
Subject:
(idm) reviews!
permalink · <3.0.32.19970611111102.007cf100@pop3.demon.co.uk>
u-ziq - my little beautiful play it on 33 and this sounds like a return to form for paradinas. play it on 45 and it's ten times as good. undoubtedly the best stuff since tango n vectif, and easily a match for any of those tracks. THIS is the stuff that he was playing on his live shows supporting aphex twin! all the classic u-ziq sounds are here, but in hyper-ventilating mode (at least on 45, and it sounds right at both speeds) - harsh percussion, those 'charming' chords and JOY OF JOYS he's started using his mid eq sweeps again!! if you were disappointed by urmur bile (which i though was great, or at least ep 1) then get this cos it sounds like his old stuff - which is a good thing, right? jega, bola, intron, hellinterface, funkstorung - mask 200 limited ep twice the price of regular eps, but then, it's twice as heavy, and twice as good too! i wouldn't try to guess who wrote what, but if you're into the gescom, skam, and jega sound, this is the record for you (if you can get it <grin>) it kicks off with some ultra-broody industrial breaks, with a synth to kill for hovering over the top. cunchy crunchy crunchy, just how i like it. track 2 is high on the crunch factor too, but very well produced, and when colonel abrahms makes an appearance, it all just clicks, and makes you smile in just the same way as when you first heard 'pocket calculator'. great use of pitch shifting! then we have a little snatch of chaotic breakbeat fiddling, and it's over to side two.. the first track is all too sedate compared to the other side, it sounds like skam's gescom 1 ep but not quite so engaging. i don't want to down it though, it's still a good track by any stretch of the imagination. track 2 is the one i couldn't get into too much - it's reminiscent of human league, supposedly updated for the 90's, but it sounds a little indulgent to me, and it makes you realise how FUCKING AMAZINGLY TALENTED tanzmusik are (or were?) sam and valley - 2nd, 3rd, 4th selection can't stop playing this one! take 3 bored japanese techno-anarchists, put them in a room with a guitar, a 20 pound drum machine, and one of yamaha's best home keyboards (with mini keys), and this is what you get. they take some of your favourite nursery rhymes, make them virtually unintelligible via japanese accents, with a backing of plink-plonk auto-chords and guitar power riffs. the killer track is 'josie e posie' which is apparently a reading of 'georgie porgie' - you get the idea. a quite satisfying alternative to drugs underground resistance - ambush more ur techno funk, and of course, as indispensable as ever. there's something about ur synth sounds that just defies description - suffice to say that mad mike has the MAGIC.... dead dead deep, and the brilliant track titles just keep flowing - check out 'silicon saigon'!!! azymuth - jazz carnival i've had the global communication remix of this for a while, and i just picked up the original 12" from 1979 for 20p from a car boot sale, so i thought i'd review them both.. the gc remix is deep house tweaked to sublime perfection, all the elements boil down into a lovely bubbling funky brew. some very big name djs around the world are hammering this, and the last jedi knights ep. it's just a shame that on either side of these tracks, thery are still playing cheesy shit, but i hope the message gets through eventually. the original is beautiful, and the name fits the track perfectly, it is a mix of jazz, funk and disco with wild analog synth riffs, and would sound very fresh if it were dropped in a modern house set. bbc radiophonic workshop - doctor who - the music various - space invaded - bbc sci-fi themes the aphex twin has made his whole career out of ripping these people off. listen to these tracks, some dating as far back as the early 70s, some long before, and the influence is so profound it can only make you grin.. pick of the bunch are the two versions of the dr who theme music, and 'the sea devils' which is ambient works 2 done in 1971 'space invaded' is a compilation of theme tunes to bbc sci-fi programmes, some made by bbc radiophonic workshop, some not. the big find here is the 'tomorrow's world' theme tune, which has got to be the original detroit techno track. also here is the 'k-9 and co' theme tune which is bonkers synth-led 70's pop, and a cheesy version of the star trek theme tune, which is perfect if you have hangers on in your club at the end of the night - they will fuck off quickly if you play this one! human league - the dignity of labour i'm not a human league fan but these 4 instrumental tracks done in 1979 are stunning. on first listen they might sound a little cheap but they are really really good and still sound cutting edge. bochum welt - desktop robotics there's more than a hint of human league in bochum welt's tracks, and you can only respect this guy for sticking to his guns and making a completely unique style in this scene. all the tracks are beautiful electro poems, with the romance level on maximum. the last track on the second ep is truly uplifting. melodically and sonically, Gianluigi Di Costanzo is a master. cylob - cylob's latest effort / diof 97 mister jeffs returns with some hard-hitting beats on the latest effort, smack em up sharp is drexciya on fx overload - club music extraordinaire. on diof 97 the tone is more subdued, with tom jenkinson's bass guitar little more than a rumble behind mister jeffs chunky beats. both great recordssss! egyptian lover - on the nile this lp features 'girls' and 'egypt egypt' alongside some otherwise unavailable rough electro rap cuts. the production has to be heard to believed, it's as if this guy purposely designed these tracks for dark 90's techno clubs, they are that up-to-date. of course the aforementioned two tracks are pretty famous, but on tracks like 'my house on the nile' and 'what is a dj if he can't scratch' the beats are stripped down and synths reduced to motifs to back up the chatterbox rap, and are classics in their own right. a couple of promising tracks are ruined by abysmally wanky guitar solos, but then, this is the 80s! other purchases of note - mira calix 'llanga', fred wesley and the horny horns lp cheerio! np - trapped (accapella) - colonel abrahms