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(idm) REVIEW: Orbital and Subtropic

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1996-06-17 19:31Jesse Stricker (idm) REVIEW: Orbital and Subtropic
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1996-06-17 19:31Jesse StrickerFirst, your useless trivia for the day. The Black Dog had an album entitled "Mbuki Mvuki",
From:
Jesse Stricker
To:
I Don't Masticate
Cc:
Jesse Stricker
Date:
Mon, 17 Jun 1996 15:31:16 -0400 (EDT)
Subject:
(idm) REVIEW: Orbital and Subtropic
permalink · <Pine.SOL.3.91.960617145608.21979B-100000@north10.acpub.duke.edu>
First, your useless trivia for the day. The Black Dog had an album entitled "Mbuki Mvuki", right? Turns out that means "to strip off one's clothes in order to dance frantically" or something very much like that, in some Central African language. Cool, huh? Now, two reviews. I plan to archive these and all the rest of the reviews I have planned at my web site (http://www.duke.edu/~jds19), but that's under heavy heavy construction, so give me time. I do have a for sale list there right now, if you're interested. ----- Orbital -- In Sides (FFRR 697-124 087-2) The Girl With The Sun In Her Head 10:26 P.E.T.R.O.L. 6:21 The Box 6:28 (part 2) 6:01 Dwr Budr 7:57 Adnan's 8:42 Out There Somewhere? 10:43 (part 2) 13:28 Well, uh, wow. After the disappointment of _Snivilization_, I really wanted this to be good. Really good. Like, as good os the _Brown Album_. The problem with releasing stunningly good albums is that people keep expecting more of the same. Well, _In Sides_ never disappointed me. It's good enough that I haven't even listened to the bonus disc yet. What they do here that they didn't do with _Snivilization_ is simple. Orbital's strengths lay in the precise construction of their tracks, where every sound falls into the rhythm. Instead of hitting a listener with lots of layers of noise, they pick their sonic material very carefully, layer it up and serve it out. This gives their work an organic feel to it, even though the spirit of the music is in its ability to be both lush and minimal. They're back. This album has the same sense of completeness and flow that _Brown Album_ did. The tracks build into one another, carying you along. The thing that strikes me most about this album is the sense of quiet power it gives. These tracks build and sweep you along with them, but they never crest and break. They've got a lot of momentum, without being unstable. A couple of the tracks are sunny and pastoral, airy without being light. A couple are almost cinematic. The highlight is the last (two?) track(s), "Out There Somewhere?". This is a beautiful, precisely crafted work of art, reminiscent of "Lush", but without the pyrotechnics. It lopes along, carrying you happily, then opens up, then concludes in a sweep. It's very easy to listen to this album, sit back, then listen to it again and again. Precision and momentum and use of empty space. Definitely check this one out. ----- Subtropic - Homebrew (Reflective REFCD 6) Maurauding Mo 5:58 On The Verge 6:16 Tilt The Frequency 6:02 Ectospasm 5:18 No Pain No Gain 5:47 The MHT 6:09 Sauce 7:13 Narcotic Fuz 6:21 Blue Shades Of Dark 4:28 Heaven 6:48 This was recommended to me as "intelligent jungle". It seems to me that whenever I hear something described as "intelligent [genre]", it means "inaccessible [genre]". A lot of the intelligent jungle stuff out there seems more concerned with subverting jungle into their own style than using jungle as a style in of itself. A lot more of the intelligent jungle out there just plain stinks, both as jungle and as intelligent music. (Yes, I'll back both those statements up, in later reviews.) This album doesn't sound especially intelligent to me. It sounds *good*. (Of course, idm has been defined as "the music people on IDM-list will talk about", so...) This could be described as jungle, or as trip-hop, or as breakbeat ambient. It's the sort of thing I'd like to hear on a warm summer night, sitting out on the porch and relaxing with a cold drink. There's jungle beats, but they're warm and soft, never treble-heavy and spastic and frantic. They use the jungle beats and rhythms as *tools* to do what they want to do. The best comparison I can make is to some of the stuff on A Guy Called Gerald's _Black Secret Technology_, though that album is so good as to defy rational comparison. It's laid-back and warm and friendly without being boring. It's kinda funky in places. It's pleasant to listen to. It does have a very annoying sample in "No Pain No Gain", the same one Revolting Cocks used, but the next track makes up for it by sampling Eric B. & Rakim. If you're looking for something easy on the ear without being insipid, give this a shot. --- "See Jackie Chan fight with sticks! See Jackie Chan fight with swords! See Jackie Chan fight with women!" -- those nutty Chinese Jesse Stricker jds19@acpub.duke.edu