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RE: (idm) Public Enemy (was Re: rap/noise... not nessisarily invo lving hip hop.. "Intelligent")

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2000-01-26 19:17Chris Fahey RE: (idm) Public Enemy (was Re: rap/noise... not nessisarily invo lving hip hop.. "Intelligent")
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2000-01-26 19:17Chris Fahey> > I was wondering if anyone can give me some suggestions? > > I've really had a craving
From:
Chris Fahey
To:
'IDM (E-mail)'
Date:
Wed, 26 Jan 2000 14:17:51 -0500
Subject:
RE: (idm) Public Enemy (was Re: rap/noise... not nessisarily invo lving hip hop.. "Intelligent")
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quoted 5 lines I was wondering if anyone can give me some suggestions?> > I was wondering if anyone can give me some suggestions? > > I've really had a craving for some rap vocals with > different types of music, > > more specifically something really noisy, experimental rap over > > noise/experimental music.
There's a really interesting comp I just got which mixes it up really well when it comes to agressive lyrics and IDM noisy sounds. The album is *really* eclectic, and usually manages to avoid the oversimplistic ravings of Atari Teenage Riot and that lot while retaining as much energy and mania. The description of it best sums it up (from www.forcedexposure.com): Artist: VA Title: Collision Course Label: PIAS RECORDINGS (BELGIUM) Format: CD Price: $17.00 Catalog Number: PIAS 006 CD "Collision Course is as near a definitive document as you're going to get that identifies the wild mash up of hip hop and noise and hardcore breaks and bass infecting today's underground. More than just another compilation album, this is a comprehensive overview of an emerging scene as it happens without media or musical establishment sanctions. The future sound of London, Berlin, Chicago, and New York, this is punk without the primitivism, futurism minus the fascism, the exhiliration of exorcised violence with a streak of dark humor. Individuality, insurrection, and crucially, independence are reclaimed as the protagonists enthusiastically torch the past. Whether emerging from hip hop's ill skool, the splatterbreak sites of the atari trained punks, or the borg metal prototypes populating the drum'n'bass sector, these chaos theorists provide bodybreakin' beats for the party to end all parties. Renegade rappers, sci-chedeclic engineers and turntable terrorwrists declare war on mediocrity. Collision Course proves that there are still dynamic alternatives to the numbing neutrality of contemporary music. What unites this culturally disparate selection is alienation and an all consuming addiction to noise in all its shapes and forms. Collision Course has been put together by writer/musician Kevin Martin, responsible for the groundbreaking Isolationism and Macro Dub Infection collections on Virgin, as well as his own music as Ice, The Bug, Techno Animal, and God. Many of the tracks here are exclusive to this release, most of the rest are licensed from much sought after 7 inches or 12 inches." Artists: Anti Pop Featuring Apani, DJ Scud/Nomex, Elastic Horizons, Rubberoom, Bad Company, Biomuse, Mike Ladd, Fever, 2nd Gen, Sensational, Bomb 20, Thawfor, Ice, Patrick C. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org