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REVIEW: afx/bjork in Philadelphia

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1995-08-10 15:38Alan M. Parry REVIEW: afx/bjork in Philadelphia
1995-08-10 19:21M* Re: REVIEW: afx/bjork in Philadelphia
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1995-08-10 15:38Alan M. ParryIf you ever needed another excuse to hate Richard James, he gave out plenty last night. I
From:
Alan M. Parry
To:
IDM
Date:
Thu, 10 Aug 1995 08:38:26 -0700 (PDT)
Subject:
REVIEW: afx/bjork in Philadelphia
permalink · <Pine.BSI.3.91.950810081128.20454B-100000@taz.hyperreal.com>
If you ever needed another excuse to hate Richard James, he gave out plenty last night. I arrived in Philly ticketless since the show had long sold out, but with word that I might be on the Aphex Twin's guestlist. I had some doubts over whether or not this would happen so I'd bought money along to try and pick up a ticket outside but it wasn't necessary, I was on there. He took the stage at 8pm and played one of the most bizarre sets I've ever had the pleasure to hear. It consisted almost entirely of 70's surf music, soundtracks/themes, supermarket electro, and cheesy synth covers of popular tunes such as "Hello Dolly." Throughout the set there was a low sustained bass rumble as the levels were pushed way up and little in the way of mixing. For the mainpart, tracks crashed into each other with no continuity and once or twice he let the needle drag around on the bubbles on the outer rim of the turntable. People watching stood\ around, lighting up their watches to see what time it was, others sat on the floor. Someone through a bottle towards the turntables. About 35 mins into his set, Richard moved from his kneeling position behind the turntables and lay down to the side of them smoking a cigarette. He looked at everyone standing around bored and he smiled, you could tell he having the time of his life. For the last 20 mins he lay on the floor behind the turntables, tapping his feet to the the music. The track playing ended, another started, finished, and then on to another. He let this one record keep playing for the remainder of his set until finally, he looked at his watch, stood up, turned off the turntable so it ran down and walked off the stage. It was quite a sight. Bjork, of course, was fantastic and had an impressive band to back her up. A good nights entertainment. :: Alan M. Parry :: fluid@hyperreal.com :: <finger me for PGP key> :: http://hyperreal.com/~fluid
1995-08-10 19:21M*At 08:38 AM 8/10/95 -0700, Alan M. Parry wrote: > deletion >Throughout the set there was a
From:
M*
To:
Alan M. Parry , IDM
Date:
Thu, 10 Aug 1995 14:21:07 -0500
Subject:
Re: REVIEW: afx/bjork in Philadelphia
permalink · <199508101932.OAA04063@mailhost.onramp.net>
At 08:38 AM 8/10/95 -0700, Alan M. Parry wrote:
quoted 1 line>
deletion
quoted 2 lines Throughout the set there was a low sustained bass rumble as the levels were>Throughout the set there was a low sustained bass rumble as the levels were >pushed way up and little in the way of mixing.
this was the case in dallas as well. it was cool. it took me a little while to realize that it was intentional. while he never lay down or smoke on stage, he was relatively attentive to his machines and tables and mixed some pretty incredible cyber-jungle sets. it borderd on industrial strength ambient. the peeps in dallas were confounded as well. but you could see plenty of bobbing and poking heads maneuvering to get a peek at his mixing desk, which was very compact. i would go and see him again in a minute. methinks i might also loose interest in a set if the performer was deliberatly fucking around. but then, i would just turn my attention to the femmes...