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From:
Chris.Hilker
To:
JAMIE M. HODGE
Cc:
Date:
Mon, 10 Oct 1994 00:00:09 -0700 (PDT)
Subject:
Re: Steve Reich
Msg-Id:
<199410100700.AAA22262@netcom6.netcom.com>
In-Reply-To:
<01HI30UY9LQQ000IVY@vassar.edu>
Mbox:
idm.9410.gz
quoted 6 lines I just thought I'd mention something that I heard in my electronic> I just thought I'd mention something that I heard in my electronic >music class last week.. It was a track by Steve Reich called "Come Out".. >It's from the 60s and consists of little more that several copies of a single >loop slowly falling out of sync->flange->complex delay.. If anybody knows >about the techniques applied in this record or of any similar work, pleas >post..
As someone posted earlier, this is on the Reich 'Early Works' CD on Elektra Nonesuch (9 79169-2), along with the earlier "It's Gonna Rain," and a piece called "Piano Phase" that applies the same idea (repeating figures moving in and out of phase) to live performance rather than tape loops, with good results. The obvious corollary to this in IDM are the short tracks that open and close Orbital's brown album (FFRR 162 351 026-2), the first being self-referential to their sampling of a Star Trek character on the first track of their previous album, the last being a bit more interesting in that they take two similar (not identical) loops and do the phase trick with them, adding a few effects as well. In general, Orbital's use of the technique doesn't have nearly the effect of Reich's pieces, which are stunning in their hypnotic qualities. Slightly less obvious, though more interesting, is Bandulu's subtle use of the technique in "High Rise Heaven," on 'Antimatters' (their most recent album, Infonet INF 6 CD), in which a short synth loop is given the treatment, but it's dropped into an existing context, rather than being the entire track in and of itself. Again, this track doesn't have the crazy overtones flying all over the place that Reich's works do, but it's still a jarring reward for close listening. C. -- cspot@netcom.com (Chris.Hilker)........a good-foot dance in a dusted trance