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From:
Irene McC
To:
Mantrakid , idm list
Date:
Mon, 20 Jul 2009 13:25:06 +0200
Subject:
Re: [idm] The Field - comments?
Msg-Id:
<4A647032.28217.E2B812A@substar.telkomsa.net>
In-Reply-To:
<52BB1346-2C60-48EF-925B-7743622031B7@neferiu.com>
Mbox:
idm.0907.gz
Ah-ha... different strokes :-) Yes indeed; I've got that Mike Ink, but on CD so I know what you mean by those crackles and pops that only live on vinyl. I still can't listen to remastered versions of Led Zeppelin without desperately missing those scratches and crackles from my old albums! There - my secret's out! I currently listen to a lot of music that I consider aurally transparent; allow me to contextualise this: as a photographer, I spend much time at the computer processing images in Photoshop, which needs my concentration so I don't want to have to pay major attention to arousing / emotive / exciting music. Here's a quote from Brian Eno that I love: "Ambient music is intended to induce calm and a space to think. Ambient music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting." ~ Brian Eno Now you may think The Field falls into that category? So was I hoping too, but it just bores me sh*tless within a few minutes and I have to skip off to something else. To give an example - what I'm really enjoying in this category (very ambient, almost droney and highly repetitive) is Austere - Solyaris Label: Hypnos Catalog#: hyp2753 Format: CD, Album Country: US Released: 10 Feb 2008 Genre: Electronic Style: Ambient Tracklisting: 1 Seraphim (15:20) 2 Striae (25:30) 3 Launch Sequence (0:40) 4 Nictitate (38:02) (I've just taken that off Discogs) - very long loopy tracks that don't demand conscious listening, but don't in any way impinge on the job at hand. I * On 20 Jul 2009 at 4:03, Mantrakid wrote:
quoted 10 lines Late night. :)> Late night. :) > > Listening to Leave It & digging it really. Did you ever hear those old > Mike Ink Studio 1 tracks? Those tracks blew my mind in what i thought > techno was, and then built up a pretty hefty tolerance to repetition. > It/This is like the kind of shit you want on vinyl so that the pops & > crackles become their own unique instrument... > > So far, my lack of morals seem to have been professionally thwarted at > every eager but half-assed attempt.
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