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From:
Fred Collins
To:
Date:
Wed, 29 Mar 2006 05:52:19 -0800 (PST)
Subject:
Re: [idm] idm] People who still pay for music shout-out...
Msg-Id:
<20060329135219.63652.qmail@web81002.mail.mud.yahoo.com>
In-Reply-To:
<003801c6531f$482df1e0$6401a8c0@jeffy>
Mbox:
idm.0603.gz
I don't think DRM is used in eMusic. What you get is what you keep without any restrictions. I use this service. Sincerely, Fred --- Karajabola <karajabola@gmail.com> wrote:
quoted 196 lines Just for clarification, which of these services use> Just for clarification, which of these services use > DRM or other protection? > > Bleep - NO > Kompakt - ? > Beatport - ? > Audiobulb - ? > iTunes - YES > eMusic - YES? > Napster - YES > Rapsody - YES? > > > ----- Original Message ----- > From: "David @ Audiobulb" <dwnewman@clara.co.uk> > Cc: <idm@hyperreal.org> > Sent: Wednesday, March 29, 2006 4:14 AM > Subject: Re: [idm] idm] People who still pay for > music shout-out... > > > > Audiobulb Records has its work out in digital > shops and yes iTunes, > > eMusic, Napster and RealNetworks/Rhapsody seems to > be where the action is > > in terms of sales. There is definately a sense > that this is agrowth area > > and whilst CD sales drop off from some - digital > sales are picking up. The > > eMusic deal seems like a good one. > > > > Which of these digital outlets do people find > easiest or most useful to > > use? > > ----- Original Message ----- > > From: <Brian.Power@cso.ie> > > To: "Zach Hoon" <sorted@saturn5.com> > > Cc: <idm@hyperreal.org> > > Sent: Wednesday, March 29, 2006 10:04 AM > > Subject: [idm] idm] People who still pay for music > shout-out... > > > > > >> Sure yeah, bleep has got lots to commend it by > virtue of the fact that it > >> don't have no DRM, and it's swift and > straightforward to purchase once > >> your > >> account is set up... only little quibble I'd have > is that they don't > >> encode > >> their mp3's at a higher bitrate - LAME alt-preset > standard bitrate of 192 > >> vbr is pretty good, but there are others offering > less compressed > >> audio... > >> > >> Both kompakt and beatport offer tracks at an > (almost) standard 320 kbps > >> across the board... granted you're probably not > going to pick up quite as > >> many "IDM/electronica" artists on these sites, > their marketplace being > >> moreso the club (whichever "house/techno" genre) > sounds favoured by the > >> four to the floor fraternity... > >> > >> Otherwise, as I've said before, a subscription > with emusic is a pretty > >> economical means of picking up a fair bit of a > mix of allsorts of > >> indepenently released musics, generally encoded > at alt-preset-standard > >> LAME, and with a surprising amount of quality > sounds on tap. A 90 tracks > >> monthly subscription costs little more than the > price of a single album > >> on > >> CD... > >> > >> > >> > >> |---------+----------------------------> > >> | | Zach Hoon | > >> | | <sorted@saturn5.c| > >> | | om> | > >> | | | > >> | | 28/03/2006 21:35 | > >> | | | > >> |---------+----------------------------> > >> > >> > >> > >------------------------------------------------------------------------------------------------------------------------------| > >> | | > >> | To: idm@hyperreal.org | > >> | cc: | > >> | Subject: [Possible Spam] Re: [idm] > People who still pay for > >> music shout-out... > | > >> > >> > >> > >------------------------------------------------------------------------------------------------------------------------------| > >> > >> > >> > >> > >> > >> i just want to take this moment to say hooray for > bleep.com. > >> > >> i used to download all sorts of stuff, but i got > sick of the crap > >> quality and queues and all that. now i just use > bleep. they have nearly > >> everything i'm looking for, be it idm, weird ass > stuff, indie, > >> downtempo, etc, and they've turned me on to all > sorts of music i might > >> never have heard of. > >> > >> i'm sick of the space all the vinyl and cds take > up. once the conversion > >> to digital format is complete, i will sell it all > off to make room for > >> more books (and when they come up with a suitable > digital format for > >> books, bye bye hard copies!). sound quality > schmound quality, 10 years > >> of djing has made me deaf enough not to notice. > drive failure? dvd > >> backups. cover art and liner notes? bah, most of > it sucks these days. > >> > >> bleep has become my onestop shop. anyone have any > other music sites > >> they'd care to recommend? itunes and their drm > can suck it. i don't > >> share files, but i don't want to have to > 'authorize' every damn device i > >> play my tracks on (i use a lot of different > devices). > >> > >> wow this kinda turned into a rant, didn't it? > crazy. > >> > >> music: i like wisp's 'nthndr'. nothing > groundbreaking, but nice tunes. > >> 'congratulations' is often repeated. i also want > more from s.t. > >> 'emotions in a box' ep is grand, and i like the > 'i'll meet you there' > >> ep...how about a full album? > >> > >> k, i'm done. > >> > >> -z > >> > >> > >> chthonic streams wrote: > >>>>> I hope the idea of rewarding > >>>>> artists financially if you value their music > hasn't gone completely > >>>>> out of style. > >>>>> > >>>> Agreed. The reason I sell on eBay is to buy > more. > >>>> It is not now, nor never has been a > money-making proposition for me - > >>>> it's more of an addiction than anything. > >>> > >>> ditto. i make music but that doesn't mean i > stopped listening or caring > >>> about other artists, or that i always just want > to trade with them ot > >>> just download. mp3s just make me want to buy > the release if the music > >>> is good. > >>> > >>> case in point, when some depeche mode single > remixes came out recently i > >>> checked out the remixers' work and ended up > ordering a metope album and > >>> an areal records comp. also got judith > juillerat's debut on > >>> shitkatapult, good stuff! > >>> > >>> > >>> d. > >>> > >>> >
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