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From:
nat hawks
To:
,
Date:
Tue, 06 Dec 2005 20:30:19 -0500
Subject:
Re: [idm] Student of Electronic Music requests help
Msg-Id:
<BAY110-F2825E2AFBE87CAAA6738B5CD430@phx.gbl>
In-Reply-To:
<Pine.LNX.4.64.0512061944540.20216@bedstuy.3wk.com>
Mbox:
idm.0512.gz
ya know, it's funny... i read the initial posting by StaticBeats and thought "that's pretty fucking cool..." and then i saw how many were responding, though not reading them, and thought "damn, this is a wicked list. an upstart calls out and his needs are answered in earnest..." *lord have mercy on the weak, wretched souls that talk down to those who move in new directions. amen.* to add, i would say this to the StaticB Jr..... DON'T DO WHAT OTHER PEOPLE ARE DOING!!!! if you get the same midi-keyboard and software as everyone else you will sound just like the rest (though not to say that mastery of such tools cannot certainly bring endless inovation)... i would say take a unique approach... this is what i did for years... download ProTools free software (a very userfriendly, 8 track recording software with friendly pan and volume controls) and get some old weird electronic toys and gear and a microphone and some pots and pans and an fm radio and try to make something new from the start. take a different approach that will lead more directly to something unique. hell, anything using a microphone is "electronic"! yes, a lot of the other submissions will sound GREAT, but they will sound the same. though i know nothing of this program, i would bank that you may have better luck submitting something much more rougharoundtheedges, but with class and dignity... : >
quoted 118 lines From: Andrew Giessel <andrew@giessel.com>>From: Andrew Giessel <andrew@giessel.com> >To: idm@hyperreal.org >Subject: Re: [idm] Student of Electronic Music requests help >Date: Tue, 6 Dec 2005 19:49:56 -0500 (EST) > >there is no excuse for discouraging honest artistic effort; there is no age >past which one can not create beauty. if everyone gave up because there was >someone more skilled or more experianced in making their own type of art, >nothing would ever be made. feel free to express your negativity someplace >else. > >back to the topic- i highly suggest checking out ableton- it's not perfect >for everything, but its easy to grasp and one can quickly get ideas onto a >computer. just spend about a month with it and just see what happens. it >won't be mind blowing to start, but if you're really into it, its the >begining of a process that you'll be on for years. > >peace, > >giessel. > >-- > >Andrew Giessel >http://giessel.com [url] >andrew@giessel.com [email] >andrewgiessel [aim] > >On Tue, 6 Dec 2005, Chork the Jangler wrote: > >>tell him he's too late -- the people who were fascinated with this >>stuff in their youth when most people were busy dreaming of firetrucks >>have been composing since then, having come to the correct conclusion >>much earlier than him, and so have better technique by now. it would >>be pointless to compete with this unless he's got the drive and the >>passion to self motivate enough to teach himself. any teacher that has >>to judge the relative merits of 150 undergrad IDM fanboys' demos >>(shudder) will know in an instant that this guy is just trying to hack >>something together to get in the class, rather than demonstrating long >>hours of hard work and creative efforts. >> >>it can be done but imho it's unlikely given that his first impulse was >>to ask teh internot for help rather than DOING IT. >> >>yes, i'm a jerk -- feel free to address that in a seperate thread. >> >>On 12/6/05, StaticBeats <stupidnametaken@yahoo.com> wrote: >>>Hey all, my younger brother posted this to the Forum >>>on StaticBeats. I'm not much a music maker so I don't >>>know where to direct him. I know there are forums out >>>there and discussion lists where these type of answers >>>exist. Any insight or help you can offer is >>>appreciated. See below. >>> >>>I'm at the tail end of my first quarter at UCSC, and >>>yesterday I took my final in my favorite course of the >>>quarter: "History of Electronic Music." >>> >>>I'm sure my brother knows how much I enjoyed the >>>course, because I called him after almost every >>>session to tell him what cool stuff I learned. >>> >>>My experience in that class helped me decide that I >>>wanted to take my knowledge of music deeper (I play >>>guitar...) >>> >>>So I've decided to minor in electronic music... Very >>>Happy >>> >>>Hopefully the courses provided through UCSC will be >>>good, but I have a feeling they will be because most >>>of the professors in the department were deeply >>>involved in the startup companies (E-Mu specifically) >>>and knew Bob Moog personally, and some even knew Leon >>>Theremin!! (Some of these dudes are pretty old.) >>> >>>To cut a long story short, I cannot proceed with my >>>studies of electronic music until next year, because >>>the program excludes freshmen. To increase my chances >>>of getting into the program (25 are allowed out of the >>>150 or so that apply yearly) I need to compose a few >>>tracks of my own. >>> >>>However, in the class, we only got tutorials on >>>expensive software, and I still seem to have trouble >>>getting the sounds I want from the program I'm using >>>currently (Re-birth, though I hope to upgrade to >>>Reason sometime soon...) >>> >>>So if any of you can give me some tips on composition, >>>or just want to talk about the history of this genre, >>>write back >>> >>>Thanks >>>-- >>>~Elan >>> >>>--------------------------------------------------------------------- >>>To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >>>For additional commands, e-mail: idm-help@hyperreal.org >>> >>> >> >> >>-- >>pete lastname >>meatsock@gmail.com >>www.grep-fu.net >> >>--------------------------------------------------------------------- >>To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >>For additional commands, e-mail: idm-help@hyperreal.org >> > >--------------------------------------------------------------------- >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >For additional commands, e-mail: idm-help@hyperreal.org >
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