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From:
Rob Sickmode
To:
Date:
Wed, 5 Nov 2003 20:51:31 -0500
Subject:
Re: [idm] laptop shows
Msg-Id:
<000d01c3a408$8074ae90$0301a8c0@DasNoizeMaschine>
Mbox:
idm.0311.gz
gainesville eh? i'm in stuart ( 2 hours south of orlando and 1/2 north of west palm ) and don't know how to use jitter, guess that makes me useless. *shrug* ----- Original Message ----- From: "wil maurer" <battleforitaly@yahoo.com> To: <idm@hyperreal.org> Sent: Wednesday, November 05, 2003 8:36 PM Subject: Re: [idm] laptop shows
quoted 1 line I've been working on a live project for a while now where we're trying to> I've been working on a live project for a while now where we're trying to
make
quoted 1 line an electronic show that's more like seeing a live band, even though all of> an electronic show that's more like seeing a live band, even though all of
us
quoted 3 lines are 'playing' g4 powerbooks...> are 'playing' g4 powerbooks... > > we're calling ourselves 'lan party' - the idea is that i'm playing
original
quoted 1 line music sequenced in live (current project: a composition based on pictures> music sequenced in live (current project: a composition based on pictures
taken
quoted 2 lines with my sanyo picture phone transduced into sound) or mixing records on my> with my sanyo picture phone transduced into sound) or mixing records on my > turntables. that mixer gets fed into my friend papageno's sound board,
where it
quoted 1 line gets tweaked out on two laptops running max/msp (he also plays analog> gets tweaked out on two laptops running max/msp (he also plays analog
synth
quoted 1 line lines sometimes). he then sends me back the audio, where it's blended with> lines sometimes). he then sends me back the audio, where it's blended with
the
quoted 1 line original turntable output. the master out is fed into a third guy's> original turntable output. the master out is fed into a third guy's
laptop,
quoted 4 lines where he uses the sound to sequence anime clips in jitter.> where he uses the sound to sequence anime clips in jitter. > > as of now we've got the music portion sorted. we're working on the video > portion - if the jitter idea ends up looking like crap, we'll probably
just run
quoted 3 lines some pre-made video, but i'd like it to be live if possible.> some pre-made video, but i'd like it to be live if possible. > > hopefully we'll begin playing shows in december - we haven't recorded a
demo in
quoted 1 line a long, long time, and our sound has changed quite a bit since we began> a long, long time, and our sound has changed quite a bit since we began
working
quoted 3 lines on it.> on it. > > oh, and we're still trying to recruit a jitter user. papageno knows it
really
quoted 64 lines well, but he'll be too busy to do the video when we play live.> well, but he'll be too busy to do the video when we play live. > > we live in Gainesville, Florida in case anyone is interested. > > -wil m. > > --- chthonic <chthonic@chthonicstreams.com> wrote: > > i know this has been brought up before, but i wanted to throw the > > question into sharper relief. > > > > how much do visuals and/or performer action/interaction mean to > > you as an audience member? > > > > i ask because the increasing amount of music being created on > > laptops inevitably brings up the question of what to do live. the > > most valiant and effective effort i recall was seeing styrofoam open > > for the notwist. in addition to his laptop, he had a keyboard, a > > mixer, some effects, and he sang. i bought his CD right after he > > played. > > > > however, other people i've seen have been pretty boring, and > > though the music has been good, i find myself wishing i was > > elsewhere, listening to their CD. some such artists respond to the > > live challenge by attempting to make small motions or faces that > > let us know something is happening, treating us to unreleased > > material or exclusive "live remixes", or simply playing really loud. > > but to me all these things are miniscule. there isn't much to see, > > to connect with as far as what the artist has put into it. even > > projected visuals can only do so much. > > > > does anybody else care about this? or are you content to go to > > electronic music shows for things like community, higher volume, > > exclusive merchandise, different mixes? > > > > perhaps the problem is attempting to judge electronic music > > performances by "rock show" standards. however, they frequently > > play in the same venues, and are both put up on stage as though > > there's something to see. > > > > > > d. > > > > > > --------------------------------------------------------------------- > > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > > For additional commands, e-mail: idm-help@hyperreal.org > > > > ===== > _________________ > _________________ > > nao/music: http://www.mp3.com/naoko > nao/blog: http://speakerslayer.livejournal.com > > __________________________________ > Do you Yahoo!? > Protect your identity with Yahoo! Mail AddressGuard > http://antispam.yahoo.com/whatsnewfree > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org >
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