quoted 2 lines Also, there was an album by Sshe Retina Stimulants
>Also, there was an album by Sshe Retina Stimulants
>(supposedly related to Sigullum S)
both have eraldo bernocchi, i believe.
quoted 4 lines that came out in maybe 95-96 (can you tell this is
> that came out in maybe 95-96 (can you tell this is
>when I was into noise mostly?) and it's fantastic.
>it's called "ketsueki no eiga" and
>was released on Self-Abuse records.... I believe theyquoted 3 lines have had material out on Ant-Zen in the meantime
>have had material out on Ant-Zen in the meantime
>although I haven't followed it closely in any
>way....
yes, and what i heard of it was pretty good, if you
like that grey sort of scary lo bit rate noise (i do
sometimes).
ant-zen is worth looking into generally, just avoid
anything with lyrics. you can get mechanized death
machine pounding noise, noise of the aforementioned
grey, lo bit rate, and scary variety, or ambient
noise... (you can also get some pretty terrible
industrial style bleach gargling (aka 'vocals'), but i
try to forget that part of ant-zen since otherwise
it's such an amazing label).
re: other noise recommendations... well for list
relevance you could hear the new whitehouse record
Cruise (mr. r.d. james has taken to playing various
tracks from it at various appearances - there is a
funny review here:
http://www.warprecords.com/news/?offset=0&ti_id=314
"unnecessary, exploitative and cheap"
in reference to the song "public" by peter sotos and
steve albini).
it's better than other ones. that is, if supporting
music with lyrics about the numerous joys of lovely
topics like rape and excrement (unintelligibly
processed, but carefully printed in the booklet for
your reading pleasure) doesn't contradict yr moral
code.
i am a big fan of aube. one sound source per album.
he also has a ton of records; cardiac strain (heart
noises) is good and may still be available on alien8,
but it's not very balls out. Wired Trap is very much
balls out, but prolly not around.
Ground Zero (and anything involving Otomo Yoshihide
really) is kind of where it's at for music (or
whatever) that is *brutal* and fun and very
intelligent. Consume Red (one of the more visionary
records of recent times, but executed with clear
purpose and intent, thus making it hard to call
"noise") and Revolutionary Pekinese Opera and Null &
Void all highly recommended (in that order), but be
aware they have a japanese psych/free jazz slant
(trust me, it's way cooler than that sounds)...
mutilated in postproduction. His records under his
own name are inexplicably enjoyable but very
intense... prolly better to listen before buying.
silence ... silence ... CRAKCKSNAPKRR ... silence ...
etc.
masonna does not work for me.
gerogerigegege are occasionally fun to hear.
Christian Marclay albums are brainy and not (usually)
particularly hard to listen to but they are quite
wonderful. Records 85-92 or something is my favorite,
but i seem to like everything he does.
i like zeena parkins (or is that just 'free jazz')...
iannis xenakis has some good (and rugged) records.
really that's not even scratching the surface - noise
is not very hard to make and thus there are a lot of
quality records (and far more worthless ones).
=====
the humble abbott arthur purvis set his hand hereto
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