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From:
robert sinewave
To:
Date:
Mon, 29 Jul 2002 14:18:08 -0500
Subject:
Re: [idm] 5 most important electronic artists of the 90's
Msg-Id:
<F156MmxBTyUoLnhJHaC00004d0a@hotmail.com>
Mbox:
idm.0207.gz
o.k., here is my list: just my opinion. eno, aphex and autechre are obvious. those 3 right there have influenced a generation of musicians and fans alike. here are my adds: detroit. juan atkins, kevin saunderson, ur, etc. you cannot deny the music and culture that has come from detroit in the last 20 years. w/out techno, where would the aphex twin be today? 808state-these guys got the late 80's early 90's dance music shit correct. hip-hop influences, dance influences all mashed together that created something new and exciting (@ the time.). before bjork went solo, she sang w/ 808. f.s.o.l./the orb- ambience. bring on the shitstorm!
quoted 109 lines From: Zach Hoon <sorted@saturn5.com>>From: Zach Hoon <sorted@saturn5.com> >To: Sean Horton <sean_horton@hotmail.com> >CC: guile133@hotmail.com, <idm@hyperreal.org> >Subject: Re: [idm] 5 most important electronic artists of the 90's >Date: Mon, 29 Jul 2002 10:53:56 -0700 (PDT) > > > > ...You can argue that she is just selecting producers that have > > been musically innovative (Mark Bell, Matmos, Thomas Knak, Plaid, >Herbert) > > but I have to say that the music that was created out of these > > collaborations sounds nothing like the music the artists/producers have > > created on their own. > >i'll argue that she's just selecting producers...i was pretty disappointed >when i heard 'heirloom' off of bjork's 'vespertine'. it's a beautiful >song, but it's just console's 'crabcraft' from 'rocket in the pocket' with >her singing over it. and i thought plaid left their mark all over 'post', >and the tracks matt herbert worked on on 'vespertine' have a definite >herbert-y sound to them, at least to these ears. > > > I would place her above NIN for that reason. > >I would place NIN above her for the reason that in countless conversations >i've had, or interveiws read, with djs or producers, NIN, skinny puppy, >other industrial acts are cited as influences much more often. also >because of 'fixed' and 'broken'. the things he did on those records may >have been pioneered by other folks, but he was one of the people that got >those production sounds and ideas out to the masses, including me out in >farmland, wisconsin, yeehaw. track 1 on 'fixed', 'gave up', with those cut >up vocals, damn. > >still, i wouldn't put either in my top 5. top 5 artists for the 90s for >me, in no particular order: > >Aphex Twin: >Constantly and tirelessly experimented and fooled around with everything >from production techniques and sounds in his music, to music video and >live performance, as well as public persona. (remember, drukqs came out in >the 00s. heh.) > >Autechre: >Similar to Aphex, always pushing the envelope, tho sticking more with >music, not so much videos or performance, etc. Where they're trying to >push that envelope i'm sometimes not so sure, but A for effort anyways. > >Squarepusher: >This guy has a sense of humor. Or you could pretend that he's really angry >all the time if you want. i consider him responsible for bringing >'drill'n'bass' to the masses (along with a few other usual suspects, of >course) and his experimentation with/satire of certain electronic >subgenres is top-notch (ie speed garage on a lot of the tracks on 'go >plastic'). > >Boards of Canada: >Sure they had somewhat limited output compared to other artists on this >list, but 'music has the right to children' was the first all-electronic >album to make the music feel consistently warm. They managed to use their >music to take you 'elsewhere', without really telling you where that was, >exactly. it's really a shame they like to touch little children tho. > >FSOL / The Orb / Orbital / KLF (4way tie): >All 4 of these groups are trailblazers in some respect, and have >influenced countless others in electronic music. FSOL's 'papua new >guinea', the orb's 'little fluffy clouds' (also some of their many >remixes), orbital's 'chime', klf's '3am eternal' (most of 'the white >room', all of 'chill out')...though some of these sound dated today, all >are still considered classic, classic tracks. > > >ok. > >-z > > > >From: "alan flood" <guile133@hotmail.com> > > >To: idm@hyperreal.org > > >Subject: [idm] 5 most important electronic artists of the 90's > > >Date: Mon, 29 Jul 2002 08:03:49 -0400 > > > > > > > > >So who would you guys say? > > > > > >here's mine in no particual order: > > > > > >lfo - influenced everyone........ first a.i. style techno? > > > > > >oval- for the introduction of the error or glitch > > > > > >aphex twin- for obvious reasons > > > > > >autechre- also for ovious reasons > > > > > >nine inch nails- for the texture, production, and bringing expermental > > >electronic music to a mass audience through pop song structures, and >most > > >importantly to piss off every indie elitest fuck-head on the list (get >it > > >right ......majority of the synth patches were a prophet VS) > > > > > >thoughts? i can't sleep.... > > > > > > > > >alan flood > > >--------------------------------------------------------------------- >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >For additional commands, e-mail: idm-help@hyperreal.org >
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