But if you reread my statement, I'm referring to the earlist sampling, not
collage.
yeah, the whole issue of appropriation is quite complex.... : )
matt salcido wrote:
quoted 54 lines i always thought collage work began in the dada movement but then again i
> i always thought collage work began in the dada movement but then again i
> dont really follow art history that much. couldnt we also apply this whole
> sampling issue to photography? lets say i decide to take a picture of some
> building and i call that picture my own and i sell it for lots of money.
> shouldn't i pay the architect royalties if well all played by the same
> rules? the architect designed and built the building on which i based my
> photograph. thats more or less the same argument against sampling. (i
> support of sampling - im just sort of posing this question as something to
> think about.)
>
> matt
>
> >From: lysaabi <lysaabi@earthlink.net>
> >To: eye dee em <idm@hyperreal.org>
> >Subject: [idm] appropriation in art [was Digital Cutup Lounge on CNN.com]
> >Date: Tue, 09 Apr 2002 16:07:55 -0700
> >
> >Actually sort of the opposite. Look at Duchamp's readymades - something
> >not originally presented as art, presented as art.
> >
> >But really, the first occurrence of sampling is probably with the
> >analytical cubists, using pieces of newspaper in collages.
> >
> >Lisa B
> >
> >matt salcido wrote:
> >
> > > i wonder if this sort of nonsense went down during the dada movement...
> > >
> > > >From: Justin Lovero <jmlnews@yahoo.com>
> > > >To: idm@hyperreal.org
> > > >Subject: [idm] Digital Cutup Lounge on CNN.com
> > > >Date: Tue, 9 Apr 2002 14:06:11 -0700 (PDT)
> > > >
> > > >http://www.cnn.com/2002/TECH/ptech/04/09/digital.distortion/index.html
> > > >
> > > >The IDM list members are becoming more legit with each
> > > >passing day. =)
> >
> >
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