quoted 9 lines This of it this way: if a group of people are trying
>This of it this way: if a group of people are trying
>to model, say, Black Sabbath, what are the odds that
>their garage demo will hold the same "sound" of the
>real band?
>With the technology that is most often necessary to
>construct this 'idm', the 'sound' is already lived up
>to, by default, and the attention can be entirely
>focused on technique and exploring what the composer
>individually desires out of their music.
I totally agree, but I think the better artists out their work just as hard
to define their sound in a similar way... This music isn't by any means
created in a vacuum.
quoted 4 lines Cdrs, as far as I can tell, contain the same audio
>Cdrs, as far as I can tell, contain the same audio
>quality as official cd's from a factory ordered by
>[insert indie idm label name here] in "250 pressing"
>amounts.
While the difference may not be great there is, allegedly, a difference when
it comes to permanence. Also some older CD players can't read CDR's the
same, or may not recognize the disk on repeated listenings.
I'm all for the smaller labels, but it can be hard to 1. get distribution,
and 2. get people to buy your work, as CDR's could equal not so good. maybe
this will change?
-donna
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