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From:
i
To:
R. Lim ,
Date:
Fri, 17 Aug 2001 15:30:52 -0700 (PDT)
Subject:
Re: [idm] Track 7 Theory - Third songs a ballad
Msg-Id:
<20010817223052.90833.qmail@web10001.mail.yahoo.com>
In-Reply-To:
<Pine.BSI.4.05L.10108171728330.1539-100000@escape.com>
Mbox:
idm.0108.gz
Also the pop-industry rule for metal bands was always - 3rd song's a ballad. Check it out on your favourite rockers. This theory holds up to repeat analysis unlike those dodgy 'number' theories he he ;) -i --- "R. Lim" <rlim@escape.com> wrote:
quoted 20 lines On Fri, 17 Aug 2001, Joe Joe wrote:> On Fri, 17 Aug 2001, Joe Joe wrote: > > > I noticed that on a majority of the albums I have listened to that track > > 7(on releases with 7 or more tracks, of course) is (almost)always the stand > > out track. Is this coincidental or do artists do this for a specific > > reason? I know I sound crazy as a fucking loon, but I find it strange that > > In the pre-CD days, track one of side two was always known as the "sweet > spot" in the pop record industry, where your smashingest hit should be > placed. If you average out six songs per side, then track 7 would be the > corresponding track. This, of course, could be an entirely specious > logic. > > -rob > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org >
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