I think the real question is, "Does it sound good?"
Since it was brought up, though, my experience is that 6 chords generally
don't include the 7th. Does the original poster find that omission
relevant? If it's a dominant 7, it provides a nice common tone to the b3
of the F minor, eh? If major 7, there's that 1/2 step movement to the b3 -
how is the F minor voiced? Any of the above only being incidental to the
sound of the thing, eh?
Matt (but not the one referred to in the quoted post)
At 04:52 PM 4/10/01 -0500, EggyToast wrote:
quoted 21 lines Even though I'm not that big of a fan, I do give Boards of Canada credit>>Even though I'm not that big of a fan, I do give Boards of Canada credit
>>for composing as song (Kid for Today) that moves between a B6(no 7th)
>>voiced B-F#-G#-D# and F minor.
>>
>>Do you know what that means, Matt? Didn't think so.
>
>I think the real question is whether Boards of Canada knows what that means.
>
>cheers,
>/derek
>
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