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From:
Mann, Ravinder [CCS]
To:
Date:
Wed, 17 Jan 2001 10:19:50 -0000
Subject:
RE: [idm] dancing about architecture
Msg-Id:
<352D4968F6DAD31181AA0090279C3DDC0168A4C0@lis-exchange3-private.lmu.ac.uk>
Mbox:
idm.0101.gz
Dont know who came up with the term "Hoover Basslines" to describe the sound of E-dancer. But for me it works. What works for you ?? Mayesqe Cymbal Programming not allowed.
quoted 66 lines -----Original Message-----> -----Original Message----- > From: EggyToast [SMTP:youn0394@umn.edu] > Sent: Tuesday, January 16, 2001 10:40 PM > To: fstab@yaxu.org; idm@hyperreal.org > Subject: Re: [idm] dancing about architecture > > but this same problem arises in every sense-oriented field. you describe > flavors based on very basic things and through analogies, you describe > smells the same way (although through more analogies), and touch is equally > similar. since we as humans currently devote almost all of our sensory > focus on vision, it's easy to describe what we see, and more difficult to > describe the other senses. > > the fun part about this is that it requires much more conversation on a > given subject. sure it's a pain when you know the person listening doesn't > care, but when someone really does care, it's nice to see how you (or how > someone else) express yourself. > > cheers, > /derek > > np: marumari-wolves hollow (just showed up about 20 minutes ago, sounds > pretty good so far :D) > > At 07:18 PM 1/16/2001 +0000, fstab@yaxu.org wrote: > > >On Tue, 16 Jan 2001, Kent williams wrote: > > > When it comes to writing about music, it's something I do a lot, so I > > > think that it can be done. Otherwise I wouldn't bother. > > > >yes. but you can only go so far. > > > >we (or at least, i) lack the diction to describe sound to any level of > >satisfaction. when we describe sound using words like 'bright', 'dark', > >'textured', 'hard', 'sharp', we're drawing in words used for our other > >senses. > > > >i can feel some satisfaction in describing a piece of music using > >elaborate genres, like 'jazzy french techno' or 'minimal glitch', but any > >other person will interpret that differently from me. > > > >so talking about music is hard. everyone interprets music in their own > >way... no wonder reviewers end up talking about themselves and the other > >music the like. but it is a good process to go through. i guess dancing > >about architecture is good too. > > > >so i am agreeing with you, and adding a tangent... > > > > > >--------------------------------------------------------------------- > >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > >For additional commands, e-mail: idm-help@hyperreal.org > > > - - - - - > Alice could not help her lips curing up into a smile as she began: > "Do you know, I always thought Unicorns were fabulous monsters, too! I > never saw one alive before!" > > "Well, now that we HAVE seen each other," said the Unicorn, "if you'll > believe in me, I'll believe in you. Is that a bargain?" > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org
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