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From:
Aronne J Merrelli
To:
Date:
Fri, 29 Oct 1999 15:42:51 -0700 (PDT)
Subject:
(idm) Speedy J public energy #1.
Msg-Id:
<Pine.GSO.4.10.9910291535420.21950-100000@athene.caltech.edu>
In-Reply-To:
<941155823.24791.ezmlm@hyperreal.org>
Mbox:
idm.9910.gz
On 29 Oct 1999 idm-digest-help@hyperreal.org wrote:
quoted 17 lines Date: Thu, 28 Oct 1999 19:42:11 +0300> Date: Thu, 28 Oct 1999 19:42:11 +0300 > To: idm <idm@hyperreal.org> > From: esa ruoho <esaruoho@dlc.fi> > Subject: speedy j: public energy no.1 > Message-ID: <38187CE3.68B1D668@dlc.fi> > > i can't believe i still haven't bought this. nicked a copy from a friend > for a few days, and it still sounds so damn strange. > at the risk of upgrading my current sad trainspotterstatus, i'd still > like to ask what people who know things thought about how these things > came to be. > the semi-organic sounds and the things done to the drums are rather > strange, but brilliant. i can't place any of them or call them things > at all. so anyone have any idea how these things were done? a billion > effects? specialized software? a ton of samplers? > anyway, mad, mad album. >
I just got a copy of this a week or 2 ago (try as I might I'm always behind the times :) ). I was totally amazed; I knew it was different from his previous stuff (I have the G spot album), but didn't have any other expectations. I've listened a few times, and love the album - the last track is especially cool. What does the recentish single sound like ? (I think was 'IEEE mitten menu' or something like that) Similar to this album? regards, Aronne --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org