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From:
zimbette
To:
Intermodal
Cc:
Kelley Hackett , 'James R McPherson ' , 'idm@hyperreal.org'
Date:
Wed, 10 May 2000 06:24:45 -0700 (PDT)
Subject:
Re: [idm] damn jazz shit - DELETE if you don't like nitpickyness
Msg-Id:
<Pine.SOL.4.05.10005100623230.18528-100000@e4e.oac.uci.edu>
In-Reply-To:
<3919405B.FBC768D2@ix.netcom.com>
Mbox:
idm.0005.gz
what would make music "better"? and whats the difference between shit made as a result of cheap computer stuff and shit made as a result of cheap guitars (or any instrument)? how does something "wreck" music? curious, chris. On Wed, 10 May 2000, Intermodal wrote:
quoted 43 lines Hello,> Hello, > > I have to agree with Kelly on this one. I think that modern music > technology has wrecked music in a way. The continuing goal has been to > make music cheaper and easier to create, but not necessarily to make it > better. It could be said that cheap computers and music software has > been responcible for unleashing an utter titlewave of shite music on the > world. > > It has always been that medocrity has dominated the world, as we are by > and large a medocre species. But now we have given people who do not > want to put much effort into making music the ability to create and > release music. I can appreciate the democratizing effect cheap equipment > has had, but do we really need all this bang-wagon music that is being > released now. Even the releases that are being lauded on this list are > not always that great, and I doubt they will still be relevant in 5 > years when their idm snob novelty value has worn off. > > As of late, I am appreciating Jazz more and more. The harmonic > structures are much more complex than most idm. The spacing and phrasing > can be so far beyond your standard Cubase driven melodic idm track, it > seems to be the direction to move in in the next few years. I never > thought I would see the day where I would consider a book of music > theory to be the single most important piece of musical equipment I own. > > Now that I have gone on this tangent, can I get some recommendations? > Here is what I am looking for in a record: I want the phrasing and > notation of Kind of Blue by Miles Davis meets the sounds from Las Vegas > by Berger Ink. A record that goes beyond grabbing a jazz snippet and > looping it, something with heavy programming. > > Thanks in advance, > Mike > > -- > Michael Taylor : Chrome3@ix.netcom.com > http://homes.arealcity.com/Intermodal/index.html > http://www.mp3.com/TheMSProject > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org >
it.s ok to like noise it.s okay to like house it.s okay to like pop "nothing but respect to hello kitty" _we are all lost --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org