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From:
James R McPherson
To:
Date:
Wed, 10 May 2000 00:45:09 -0500
Subject:
[idm] damn jazz shit - DELETE if you don't like nitpickyness
Msg-Id:
<20000510.004510.7198.1.andregurov@juno.com>
Mbox:
idm.0005.gz
quoted 5 lines DJ Cam knows his Coltrane and ColdCut seem to know just about>DJ Cam knows his Coltrane and ColdCut seem to know just about >everything but I would love to see more useof Coltrane and Dolphy's >intense riffs and extended solo clips, let alone Art Ensemble and >SunRa; Mingus could be so fantastic if you want forceful streams of >sound and what about McLaughlin or Larry Young!
Ugh. The dissolving of jazz into samples. If the form is to be reduced to "snippets" of loops I think the world would be better off just playing them on a pre-set synth. All of this doggerel about jazzy dnb disgusts me. When did the beauty of dexterity, creativity, and improvisation become whittled to a 6 second excerpt repeated ad nauseum? Sure, there are similarities between electronic musics' use of grounding themes/percussion and jazz reliance on a clearly stated melody, but it ends there. While some electronic listening music is presented live w/improvisation a central concept, it remains primarily a home-listening experience (for better or worse). Concerts are your living room with more friends and bigger speakers. Jazz, by its very definition of improvisation and forward tilt, is not. Part of the joy is in hearing how specific players re-interpret central themes/melodies and use them as a launching pad to artistic expression, night after night after night changing. To reduce is to negate (or perhaps I should say to record is to negate). I do not doubt the poster's love or understanding of jazz (perhaps I simply misunderstand), but the careful reconstruction of solo passages in an electronic recording does not add to the sum of musical art and lessens the very work that many jazz artists accomplish. It may make a very pretty pop song, and will probably be very tuneful, exciting, and soulful. But it is not jazz. And for me, then, I no longer care who the individual/group sampled is. Does this mean Macero's repasting of Miles' trumpet and groups are not jazz either? Perhaps. Does this mean the presence of the studio debases jazz in its very application? Hmm. But this is an IDM list ; ) 5 seconds of vision + 8 minutes of rhythm = dance music "Fuck dance, let's art" ... right? Coltrane remixed? The beauty of it would be in the challenge, not the results. I hope 4 Hero acquit themselves of it as well on wax as in the studio (intentional irony) ... Sorry for wasting all of your valuable time, J (still stoked about New Orleans' great Jazz and Heritage Festival) obIDM: anyone heard the source recording for Peshay's "On the Nile"? If you have, it's hard to argue that sampling has always been a blessing ... ________________________________________________________________ YOU'RE PAYING TOO MUCH FOR THE INTERNET! Juno now offers FREE Internet Access! Try it today - there's no risk! For your FREE software, visit: http://dl.www.juno.com/get/tagj. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org