so, if i take a sound of a rubber ducky, and modulate it, pitch shift it,
and stretch it out, and it ends up sounding remarkably like a bleating goat
(and similiarly quite *unlike* a rubber ducky), would that be "ok"?
it just seems like the only problem people have with sampling is when
there's a possibility that someone could listen to it, and be like "hmm..
this sounds oddly like that one record i ha... oh.. eech, it is". is that
close?
-derek
np: the future sound of jazz 2, disc 2
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I am a kind of paranoiac in reverse.
I suspect people of plotting to make me happy.
-J.D. Salinger