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From:
Solenoid
To:
Christopher Fahey
Cc:
IDM ,
Date:
Wed, 8 Jul 1998 19:13:14 -0700 (PDT)
Subject:
Re: (idm) it takes the physical....
Msg-Id:
<Pine.GSO.3.96.980708185844.20391G-100000@thetics.europa.com>
In-Reply-To:
<025201bdaa84$a3acfcb0$682c43d1@eniac.raremedium.com>
Mbox:
idm.9807.gz
On Wed, 8 Jul 1998, Christopher Fahey wrote:
quoted 18 lines From: Chris <cdperk@trib.com>> >From: Chris <cdperk@trib.com> > >Subject: re: (idm) it takes the physical.... > > > >hello all. fotive me if this seems an ignorant question, but i was just > >wondering what exactly an amen break is? > > This web site will make you want to throw away half of your drum and > bass collection instantly. Basically, 99% of jungle is formulaic crap and > here's how you can make your own track it in a half an hour: > > http://www.tiac.net/users/sheket/breaks.html > > > Very informative and probably very bubble-bursting for some. About a > year ago I was introduced to the Amen break via this list and I began to > notice that artists I had previously thought to be interesting programmers > turned out to be lazy samplers. This site makes the extent of that very > clear. Have fun!
Yes, this is a great page for just laying out these old break samples that have been used thru the 90's. It seems to me that the mid-90's algorhythms of samplers/software to timestretch is really a huge reason breakbeat was sort of reborn as d-n-b (look at 4-Hero then and now for instance). I like early Squarepusher, that 1st Carpet Bomb 12" and bits of early Chrome and Spymania vinyl. Maybe I'm not listenning to d-n-b..? What is that stuff? It seems different when it is programmed out on drum machines...more personality and variation...? Solenoid solenoid@europa.com <------+