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From:
siliconvortex
To:
Date:
Fri, 26 Jun 1998 06:24:15 GMT
Subject:
Re: (idm) 1991-92
Msg-Id:
<35933b09.513553@post.demon.co.uk>
In-Reply-To:
<034101bda086$3ddce330$682c43d1@eniac.raremedium.com>
Mbox:
idm.9806.gz
On Thu, 25 Jun 1998 18:08:55 -0400, you wrote:
quoted 4 lines I mean, how much drum and bass/breakbeat/big beat can you listen to> I mean, how much drum and bass/breakbeat/big beat can you listen to >before it loses it's novelty? And who's doing music in the tradition the >aforementioned artists were practicing in 1992 (actually, I'd say BoC is to >a certain extent, and some of Squarepusher's less hectic stuff does too).
i think the problem is that when it comes to breaks, all too often people treat it like some kind of competition to see who can make the most complex brain-bustingly intricate programming..... leaving far behind the only important criteria - making music that has something to say. anyone could do it - if they were bothered enough to.. we shouldn't get drawn into this race where the only possible destination seems to be up one's own arse. i forget who said it, but they described it pretty well - 'bloke techno' <waves> subconscious geography http://www.sub-con-geo.demon.co.uk