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From:
marsel
To:
Date:
Mon, 13 Mar 2000 19:32:09 +0100
Subject:
Re: (idm) The Good Old Days (Quantified)
Msg-Id:
<4.3.0.20000313192144.00aaf830@pop3.demon.nl>
In-Reply-To:
<97.2ec5db5.25fe7fb3@aol.com>
Mbox:
idm.0003.gz
At 13-3-00 -0500 12:30, you wrote:
quoted 31 lines In a message dated 3/13/00 5:21:42 AM Eastern Standard Time, cim_@hotmail.com>In a message dated 3/13/00 5:21:42 AM Eastern Standard Time, cim_@hotmail.com >writes: > ><< > * Most of the artists concerned just aren't interested in re-visiting areas > they've already explored, both in terms of writing new material in that > style or releasing/re-releasing older tracks. If they did it, it would > probably only be if they were tempted with large amounts of money, which > would be unlikely to be made back purely from re-issues. > > * Despite what you might say, the overall demand for it is NOT high, it is > not a lucrative thing to do. There might be quite a few IDM kids who would > buy it (lets guess a few hundred?) but there needs to be enough > non-hardcore > fans (these are the people who buy the bulk of a release) to buy it and > make > it worthwhile re-pressing. >> > >Those are two of the saddest reasons I've ever heard >not to reissue anything. CiM, I think you and I had this >discussion before, and I brought up Underground Resistance >and the other Detroit labels who keep everything in print. >It shouldn't have anything to do with money, it should have >to do with great music, and whether or not 5,000 people >want to buy it: that's why we have pressing sizes. It's also >not like the artists have a lot to do with the record. Just >ask them for their permission to put it out, bang, that's that. >If the Detroit labels hadn't kept things in print, think how >many people out there would have never heard stuff on >Transmat, Metroplex, UR, etc. etc. This self-nullifying >Kafka-esque notion of letting work disappear is ridiculous.
i agree somewhat with matt on this one. money couldn't be an issue for repressings, as you can do a re-press of 500 copies or some - drop them at a distributor and probably they will sell. a label has nothing to be happy about with hand-to-hand auction prices, although maybe it could work out fine on image building (hence markant or mask). don't know what reasons could be - but most of all we can't force labels, artists whatever to do so, to do what we like. if someone put a record in 100 copies like mask, it's their choice and of course you can find it pretty dissappointing and all that, but i think we should respect that all i can say is that lots of stuff pops up now and then, and that you shouldn't pay to ridiculous prices (although again, you also should decide for yourself of course..) - last saturday i heard rumours about a repress of the old black dog things, as one four pack. - maybe someone just made a joke.. . --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org