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From:
Mark Kolmar
To:
Anthony Ewers
Cc:
Date:
Tue, 30 Sep 1997 18:10:01 -0500 (CDT)
Subject:
Re: (idm) "authorship" vs. "credibility"
Msg-Id:
<Pine.SOL.3.95.970930175428.12945H-100000@typhoon>
In-Reply-To:
<v03007800b0570dabc0b2@[158.152.239.189]>
Mbox:
idm.9709.gz
On Tue, 30 Sep 1997, Anthony Ewers wrote:
quoted 5 lines Even on the most simple level you try hitting a key> Even on the most simple level you try hitting a key > on a keyboard playing a bass guitar patch, sure the sound gets louder and > the timbre of it changes the harder you hit it, if you did this on a real > bass you'll get to the point where the string will break, playing a > keyboard monotonises even your playing style (would you really play an
I avoid playing keys. Instead, I program. The keyboard is useful for scales and harmonies of a conventional sort, and to trigger (and record) events. But it is a poor interface from which to coax nuance from electronic instruments. One needs either several hands or multiple passes to create even a simple acid bassline. Since I'm dealing mostly with timbre and rhythm, an interface built for a harpsichord ("velocity" came later with the piano) is a lousy front-end. --Mark __ <http://www.xnet.com/~mkolmar/BurningRome> < MPEG & RA audio clips > m u s i c : w e b : s o u n d d e s i g n : h t m l : c g i : e t c