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From:
Chris Fahey
To:
'IDM'
Date:
Mon, 31 Mar 1997 14:40:45 -0500
Subject:
RE: (idm) most overated artists of 1996?
Msg-Id:
<59399FD80187D011A89000A0C925CC73058CEB@AQUAMARINE>
Mbox:
idm.9703.gz
Agreed. This guy's dis of squarepusher as being "not part of a scene" undermines his other arguments, as does his glowing reviews of Prodigy and chems elsewhere on his site. I don't want to be part of some kind of life-stance, and that's what I like about plug/squarepusher/even aphex. I would rarely dance to this stuff, but it is great listening. This guy likes being part of a mass party event with music as the manipulator, a non-cerebral surrender to a "vibe". This is sometimes cool, but not always. His writing technique is quite good, and his points about most things are generally on the mark. I think he just has a taste problem with "drill-and-bass", which probably has to do with his urgent need to party. Hey, I respect that. It's much better review writing than most stuff I read, and that alone makes it a valuable site, even if I disagree with him a bit about his tastes. -CF
quoted 88 lines -----Original Message-----> -----Original Message----- > From: idm-owner@hyperreal.com [SMTP:idm-owner@hyperreal.com] On Behalf > Of Styrolene vaT > Sent: Monday, March 31, 1997 10:31 PM > To: idm@hyperreal.com > Cc: jpress@cis.compuserve.com > Subject: (idm) most overated artists of 1996? > > Yeah Generally Simons got the right idea IMO, Bukem FSOL and Mo Wax > undeniably > suck these days, I kinda respect his prose, i also think its fairly > tongue > in cheek which is cool... we all enjoy net antagonism. However his > list > of favourites is also pretty embarrasing, however id still rather have > to listen > to Mokum than those wankers/old men FSOL. > > However im pretty uncertain about this bit: > > > It is only Squarepusher/Plug etc's distance from the scene that > allows them to > > convolute the breakbeats beyond any use-value to DJ or dancer; the > wilful > > incongruity of the samples is all well and good, but if junglists > use the same > > old gangsta/cyberpunk soundbites and apocalyptic textures, it's > because they're > > trying to create and sustain a vibe, a feeling-full and meaningful > mood that > > crystallises a certain kind of worldview and life-stance. > > huh? i think hes missing the point here a little, i dont really think > Tom J or > Luke V are generally thinking of 'the dancer' when they compose > tracks! unlike the > 'junglists' i think they are writing the music for themselves, not to > propagate > some 'scene'. I really dont understand how you can condone artists who > simply use the > same samples over and over again just because theyve managed to cobble > together some > sort of tired identity?! I think more and more every day that London > is a place to visit > often but not to live in, these comments do nothing to dissuade me > from this. > > > By comparison, drill > > and bass is vibe-less non-sense. The drill and bass/"fungle" concept > seems to exist > > to make a certain sort of "margin-walker" feel okay about not really > having engaged > > with jungle as a subculture. > > Engaged with Jungle as a subculture? oh dear... what about people like > myself who > bought some DJ Krust, photek, Metalheads and Reinforced three years > ago because it > sounded pretty interesting and a bit more radical from the > Techno/electronica that was > around at the time... i tried to 'engage with Jungle as a subculture' > if you like ;) > however all these artists are producing records which sound identical > to the ones > i already own, theres zero Progression there. > > > And of course, as with most soi disant progressive > > iniatives, drill and bass is utterly parasitic on its populist > counterpart--do you > > really think the idea of chopping up breakbeats would have > independently occurred > > to the weirdy-beardy technoids in a million years? > > Yep... i reckon that the interest in breaks in most of the 'drill and > bass' > artists stems just as much from an early interest in Hip Hop rather > than > Jungle. Theres no denying that the way they use say the Amen Break is > Influenced > by Junglists, but i think the way in which theyve taken it shows that > theyve > had a much broader set of Influences/references than yer average > Junglist... > oops ive Stereotyped again... > > kF > > can i stop using the phrase 'drill and bass' now pleeeeasee...