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From:
Kent Williams
To:
intelligent dance
Date:
Tue, 11 Mar 1997 16:51:39 -0600 (CST)
Subject:
(idm) Mersh?
Msg-Id:
<Pine.LNX.3.93.970311163527.7961A-100000@soli.inav.net>
In-Reply-To:
<199703112039.VAA16438@phobos.glo.be>
Mbox:
idm.9703.gz
On Tue, 11 Mar 1997, Mathias Verraes wrote:
quoted 4 lines IMO the difference between idm and all other dance music, is the fact that> IMO the difference between idm and all other dance music, is the fact that > idm is not intended to be a commercial succes (see my earlier posting), but > is a new form of art. The makers are trying to experiment with the new > possibilities of technology and music.
Commercial is a pretty elastic term. Anyone who puts out records hopes to make money on the deal. But there is a vaste difference between big corporate record labels and independents. Independents can afford to take risks because their up front costs are usually very small compared to what a corporate label will put into a mega-release. IDM is about connecting a like-minded audience with the music makers without so many layers of corporate cruft. It is still a commercial enterprise. It just works on a whole different level. Fact is, those who know will seek it out, and those who don't can buy whatever sony or wea is selling today. To the extent that bigger labels do get involved, if they do it right, I think it's great. Virgin/Caroline/Astralwerks have done a very respectable job of getting great music in people's hands. And a Rephlex/Sire deal is great news for us in the US. ON NOW: Assembled 19 -- BIG UP STEFAN! --------------------------------------------------------------------- "i love the smell of new carpet. it makes me dizzy. just like when you fall in love." -- Mike Dvorkin Home Page, featuring Reagan on Black Velvet, the EMP Compilation CD, samples of my music, etc http://soli.inav.net/~kent/ Kent Williams kent@inav.net CADSI 2651 Crosspark Road Coralville IA 52241 (319) 338 6053 (home) (319) 626 6700 x 219 (work) (319) 626 3488 (fax)