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From:
PPP/Alistair Stray
Date:
Sat, 11 Jan 1997 12:10:21 GMT
Subject:
Re: Re: (idm) reagarding commercialism in general and idm
Msg-Id:
<199701111210.MAA27348@power1.powernet.co.uk>
Mbox:
idm.9701.gz
From: Alistair Stray <storm@powernet.co.uk> To: idm@hyperreal.com Mime-version: 1.0 Content-type: text/plain; charset="us-ascii" On Thu, 9 Jan 1997, Chris.Hilker wrote: ]If an artist makes a brilliant, innovative work of art, full of truth and ]insights into the human condition, and deliberately makes it so obscure ]that nobody understands it, what fucking good is it? <endquote> If the artist says they made it deliberately obscure then maybe it's more likely that they failed to transmit their message as well as they would have liked. I hear this methodology espoused quite a lot, and it always seems to be a cop out to me. Your completely right, it's no fucking good at all. It is a waste of time. Somebody said art was for self entertainment, that has to be wrong unless you keep it to yourself. If you try to sell it, or display it, then you are seeking validation for your work. If an artist doesn't seek validation then fair enough, but don't make the rest of us suffer listening or viewing it. As soon as you try to sell it then the self entertainment starts to be questioned. YES, you are exploring yourself through your art, but your now also trying to see what peoples reactions are. You are trying to see how you can alter the scene you see yourself as being part of. Another waste of time is battling against commercial success. I'm a video artist, and I'm well established in the live circuit here in the UK. And I would love commercial success, if I can quit my day job and concentrate on my art I would be a hell of a lot happier. It would give me more time to concentrate on my art, without the distractions of rent, food and my tune addiction. So when Andy Weatherall (after we worked with him at a gig in Leeds) asked if I could produce a two hour video to accompany 'The Fifth Mission' LP I jumped at it, eyes wide and with broad grin. It wouldn't give me enough to live on, and I would still have my day job. BUT, it would get me noticed more, and would lead on to more work. However the current silence from 'Emissions' is deafening. Avant Garde means advanced guard. Anyone who describes themselves such, and shies away from any sort of commercial crossover doesn't understand the term. Either that, or they are scared of failure. Or worse, they are hiding from the fact that they're not good enough to make an impression. I'm completely open to the fact that what I do maybe invalid, pointless and poor. If my work is good/bad or irrelevant is not my decision. That is the decision of the spectator, the art gallery, the club, the audience and posterity. I have some confidence from the success of various shows, and also from the distribution of some of my more traditional video art. I know I do have an audience. But if I were to rest on my laurels I wouldn't be doing anyone any favours, least of all myself. Some people say that Post modernism is a new description of a phase we have been through a lot historically. Basically it happens when there is no Avant Garde about to change things, so we end up reanalysing and reprocessing previous work. Therefore anyone who is doing something even slightly different must fight like hell to get it noticed, if they don't then Art will never advance at all. I mix four decks of audio and three video sources to improvise art films on the fly. It's very rewarding, the reactions of the audience have a direct effect on how my films progress. I can always find somewhere to do this, I can always find an audience. But it's my edited work, the traditional form of the video art medium, where I want the most success. Because that is the accepted face of the medium, and that is the acceptable route to commercial crossover. Although the live work is the most rewarding, it's also a pain in the arse technically. If I can survive by making a couple of music videos and then concentrate the proceeds into my art then my life would be complete. I want money. And money will not compromise my art. self promotion bit: Will be at the Big Chill Benefit, Brixton, with Hexstatic and Netmare on the 14th FEB. FutureSONIC again later in the year for the proper full on show. Transmedia Berlin, all being well. - Stray http://users.powernet.co.uk/storm