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From:
C. Desmarias
To:
Danny Wolfers
Cc:
Martin Ayrton ,
Date:
Tue, 16 Jul 1996 10:52:33 -0700 (PDT)
Subject:
Re: (idm) Keep Music Underground
Msg-Id:
<Pine.OSF.3.92a.960716104847.3296D-100000@saul2.u.washington.edu>
In-Reply-To:
<199607161709.TAA25340@magigimmix.xs4all.nl>
Mbox:
idm.9607.gz
On Tue, 16 Jul 1996, Danny Wolfers wrote:
quoted 11 lines Bollocks. Do we all want to sound superclean & plastic with hi-crisp ultra> >>Bollocks. Do we all want to sound superclean & plastic with hi-crisp ultra > >>Hi fi 16 bits/32DA EMU64 samplers & virtual Nordiclead Digital waveform > >>simulators ? > >No maybe not but have you guys any idea what the most basic of investment > >is ? > >Some people quoted artists who have recorded tracks with a drum machine > >and a sampler. Ok the cheapest secondhand sampler in the UK is around > >500Ukpounds, the cheapest drum machine at around 150Ukp. Thats not the > > A Mirage, An Akai S700, 612, A Roland MKS-100, S220, S10 are all samplers > well below 500 Ukp.
I bought my first (and only) sampler for a mere $150 Canadian, an Akai S612 which I've been using for 6 years now. It's easy to convince yourself that you need tons of expensive gear to make better tracks, but the real truth is you can create quality music with *very* little monetary investment if you take it upon yourself to completely exploit the capabilities of what little you've got.. even archaic devices like reel-to-reels and Kmart Casios can create interesting soundscapes. Cid.