"In a nutshell, Ben Watt and Tracey Thorn take the lyrical ramblings of
Underworld and straighten them out into unabashedly beautiful pop songs"
I've been a fan of ebtg since '85, and this release is for mall rats as
far as I'm concerned. While the lyrical content is high, the sameness of the
tracks leaves me cold. The faint house piano in "Wrong" is nice, but was it
really necessary to re-write "Missing" eight times?
Paul Rafanello
onnow: ebtg - "Eden"