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From:
Andrew Schrock
To:
Date:
Tue, 1 Feb 2000 18:33:48 -0500 (EST)
Subject:
(idm) Re: Dockstader
Msg-Id:
<Pine.LNX.4.04.10002011830380.6295-100000@circe.cs.brandeis.edu>
In-Reply-To:
<200002011642.IAA10390@screech.weirdnoise.com>
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Ok. Here's the real info from the starkland web site, which I'm crossposting to excuse myself mistakenly spelling "quatermass" as "quarterstaff", and mis-remembering exactly what they were compilations of. They are indeed compilations of Dockstader's work, but not the ones I thought initially. Hope I didn't confuse anybody too much. Tod Dockstader - Quatermass (ST-201) Introduction: Edward Tatnall Canby. Total Time: 73:11. With over 25 outstanding reviews, Starkland's first two CDs have led to the recognition of Dockstader as one of the finest electronic music composers ever. The Washington Post calls Dockstader "one of the giants in the field," while Stereophile places his output "on a par with the best." This musique concrte master carefully supervised the transfer from his original tapes to the final digital master, and the resulting sound is extraordinary. The booklets for these two CDs offer the most complete Dockstader documentation to date. Fanfare's critic found the booklets "gratifyingly thorough...among the best prepared I've seen." This CD contains the playful Water Music (1963), the 45 minute work many regard as his masterpiece, Quatermass (1964), and the premiere recording of Two Moons (1964; spinoffs from Quatermass). Tod Dockstader - Apocalypse (ST-202) Introduction: Craig Anderton. Total Time: 73:34. This is the second of Starkland's two highly praised Dockstader CDs. Fanfare describes them as "an astounding technical and artistic success," while Option finds them "essential for anyone interested in electronic music," and France's Revue & Corrige calls them "veritable references...Two CDs you should urgently get." The detailed booklets and high quality sound led England's The Wire to write: "The obsessive care with which Starkland have compiled these extraordinary recordings should ensure that Dockstader will be remembered as the innovative, visionary figure he undoubtedly was." This CD contains Luna Park (1961), which a Fanfare critic called "one of the finest works of electronic music I've ever heard," Traveling Music (1960), Drone (1962), the violent Apocalypse (1961), Two Fragments (1961), and the premiere recording of Four Telemetry Tapes (1965), Dockstader's last true organized sound pieces. -| Andrew Schrock | aschrock@cs.brandeis.edu |- --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org