Hey I'm excited!
I had a delicious day at the store today!
I got Tri Repetae, Amber, and Incunabula all in one wave of my charge card!
I also got a hold of 'G-spot/Speedy J', 'X-mix/3,4 & 5', 'Musica'/Stickman
records, 'On a Journey/Kelli Hand', and (in retro) 'Blueprints for Modern
Tech. 1 and 2'--Which includes 'Kaboose' my favorite and *most* intelligent
F.U.S.E. track--IMHO! I was drooling all the way home wondering which one
to open first!
...........Tri Repetae, of course.
I know we're tired of the artist live thread, but I'm an artist and I am
planning how to orchestrate my live performance over the next few months.
I am approaching it from an angle like I'm a performing artist, and the
audience isn't going to a 'rock and roll' style concert but, rather, would
be attending an installation at a gallery, where I will be facilitating the
event. I see myself somewhere between people going to a movie and going to
a live play. I don't remember who said it but I agree with the person who
wrote that we need to figure out a whole new way to experience/perceive
intelligent dance live. Although I input all my sequences live and at the
speed they are played back, there is absolutely no way I could hope to play
every part of my tracks live. Some songs have as many as 13 percussion
tracks going at the same time! It's impossible. I hope to eventually (way
out of grasp at the moment) have different screens in my set each with an
independent picture content synced to different elements of my tracks, but
I would always be in control. I would be an artist touring with my
'installation piece' not just a 'band in a box'.
peace
Dale
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it is good . . . we are saved.
Dale Lawrence.Theorem.Nude Magazine.Detroit.
minimalize, fortify, and never stop digging.
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http://www.rust.net/~theorem/theorem.html
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