I have found John Drukman's observation of MoM rewarding the close
listener to be very accurate. I have listened to "Ioara Tahiti" about four
times now, and swirling behind the beats and pulses, amorphous melodies
drift along in the backround, sometimes almost hiding it seems. The first
track, "Stereomission" revolves around a woman speaking Japanese(I think)
continuously, and the final track is almost totally blank except for
extremely faint ocean noises, and what sounds like a German radio
broadcast. The other eleven tracks in between keep on getting better
after every listen. Definately a worthy purchase.
Greg Sullivan