quoted 6 lines i think it's the same sort of snobbiness that any musical form evolves,> i think it's the same sort of snobbiness that any musical form evolves,
> really; a tendency to look back at past glories and say "well, if artist x
> was so popular back then with a 303 then all i have to do is find one and i
> can be that good." when that article about the dx100 went up today
> couldn't you just hear all the wannabes sharpening their pencils so they
> can go digging in the Recycler looking for one?
Exactly, after the interview with Juan Atkins appeared in the keyboard, a lot
of people around here are searching for DX100's, but it really does not matter
what you use, it;s what you do with what you have...
quoted 2 lines i designed my studio for power and flexibility, not style... so i've got a> i designed my studio for power and flexibility, not style... so i've got a
> promix and a k2000 as the centrepieces...
That thingie is a DO-IT-ALL box, that's why I did not want to buy it... I
figured that I'd abandone all my other gear, since K2000 can do everything plus
some extra of what my analogue beasts are capable of...
quoted 4 lines and i get flak about it. "oh how> and i get flak about it. "oh how
> can it possibly sound good with a digital mixer, it'll be all cold and
> sterile." "k2000? the presets on it are terrible!" "you just can't
> sample the 808 kick drum." yeah, sure...
Hahahhahahah!!!!!!! Analogue snobiness!
quoted 1 line>
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Mike Dvorkin (W) 708 435 0010 (H) 708 299 5332
Motorola Inc (F) 708 435 0028 (e) dvorkinm@pcs.mot.com
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NOTE: if mail to me bounces try jeanniel@merle.acns.nwu,
she'll forward it to me. She's a real bionaut!